gaia > 자유 게시판입니다. > 로마의 휴일 영.한 대본

Building and christened an ocean liner. Then went to Paris where she attended many official functions designed to cement trade relations between her country and the Western European nations. And so to Rome, the eternal city, where the Princess' visit was marked by a spectacular military parade highlighted by the band of the crack Piersa Yeri Regiment. The smiling young Princess showed no sign of the strain of the week's continuous public appearances. And at her country's embassy that evening, a formal reception and ball in her honor was given by her country's ambassador to Italy.

파라마운트 뉴스 앤공주의 런던 방문을 전합니다, 유럽 각국의 공식 여행지 중 첫번째 도착지입니다. 유럽 지배가문의 일원임에 영국인들의 환호를 받았고, 3일간의 활동후 궁을 방문하시고, 암스테르담에서는 국제보호빌딩 개관 및 쾌속선을 명명했습니다. 파리에서는 여러 공식행사에 참여하여 서유럽 국가와의 무역관계를 굳혔습니다. 영원의 도시 로마에서는 군대행진과 연대 밴드에 감명을 받았습니다. 몇주간의 공식행사에도 피로한 기색하나 없으십니다. 본국 대사관 주최, 공식 리셉션과 무도회도 있었습니다.

The Embassy ballroom. People fill the floor of the room. A fanfare sounds. The Master of Ceremonies appears and the people clear a path down the middle of the hall in front of him. The Master of Ceremonies announces "Her Royal Highness"-first in Italian, then in English. The orchestra starts playing as the Master of Ceremonies walks down the newly-formed aisle. Princess Ann, resplendent in her ballgown, diamond tiara, and necklace, appears at the door accompanied by the Ambassador in formal military dress. Behind them follow together the Countess Vereberg and General Provno, and others. As the company walks slowly down the aisle, Princess Ann smiles and nods her head to acknowledge the guests who line their path. They bow as the Princess walks past them. As they reach the front, the Princess and the others step onto the dais as the orchestra finishes playing. The dais is furnished with chairs-a large one in the center. The Princess and the others stand, facing the guests. Princess Ann is about to sit when the Ambassador discreetly stops her with a hand on her arm. As they stand waiting, the guests form in a line in front. The Master of Ceremonies announces them as they walk forward to greet her, in turn.

MASTER OF CEREMONIES: His Excellency, the Papal Nuntius, Monsignor Altomonto.

교황 대사 알트몬트이십니다.

Ann greets him warmly in Italian, shaking his hand; he replies, in Italian.
Ann은 손을 흔들면서 이탈리아어로 그를 따뜻하게 맞이합니다. 그는 이탈리아어로 대답합니다.

MASTER OF CEREMONIES: Sir Hugo Macy de Farmington.

휴고 파밍턴 경입니다.

ANN: [he bows to her] Good evening, Sir Hugo.

안녕하세요, 휴교경.

SIR HUGO: [shaking her hand] Good evening, Your Royal Highness.

안녕하십니까, 공주님.

MASTER OF CEREMONIES: His Highness, The Maharajah of Kalipur; and The Rajkumari.

마하라자와 라이쿠아리 회교 군주 부부이십니다.

ANN: [shaking the Rajkumari's hand] I'm so glad that you could come.

와주셔서 기뻐요.

THE RAJKUMARI: Thank you.

THE MAHARAJA: [shaking Ann's hand] Thank you, madame.

[The Master of Ceremonies announes the next couple, in German].

ANN: [hidden beneath her dress, she takes her right foot out of its shoe and stretches it]

MASTER OF CEREMONIES: [as Ann puts her foot back] Prince Istvan Barossy Nagyavaros.

나가야바로스 왕자님.

ANN: How do you do? [he kisses her hand]

The Master of Ceremonies announces the long German name and title of the next guest.

ANN: [holding the woman's hand as she curtsies] Guten aben. [She greets the man as he kisses her hand].

The Master of Ceremonies announces the next couple. As she greets them, Ann rubs her tired right foot against her leg.

Much later on and Ann is still greeting the guests.

ANN: [greeting another couple] So happy.

MASTER OF CEREMONIES: The Count and Countess von Marstrand.

본 마스트론 백작부부.

ANN: Good evening, Countess. [holding her hand the woman curtsies. To the Count] Good evening.

안녕하세요? 안녕하세요?

COUNT: [kissing her hand] Good evening.

[Suddenly, Princess Ann loses her balance as her foot slips over her shoe, knocking it over. The Count's eyeglass pops out in surprise and he smiles back as she regathers herself. The Ambassador looks down in disappointment at her error. The Master of Ceremonies introduces the next couple-a Senor and Senora].

ANN: [she tries to manipulate her shoe back into position which has been knocked over and she greets the couple, disguising her discomfort] Good evening. [the man kisses her hand].

The Master of Ceremonies announces the next guest as Ann pushes her shoe again in an effort to right it.

ANN: [as the man bends, gesturing with his hand in greeting] How do you do?

As the last guest moves back Ann looks around anxiously, trying again to right her shoe, resulting in her pushing it further away. The Ambassador then motions her to sit down. As she sits back into the chair with the Ambassador and the Countess on either side her dress pulls back, revealing the shoe. The orchestra starts playing a waltz. Ann tries as inconspicuously as possible to drag her shoe back with her foot. The General, standing behind her frowning, motions to the Countess to look at the shoe. She looks down at it and closes her eyes in horror. The Princess stirs in her seat trying to get her shoe back, fiddling with her gloves as cover. A man standing behind the Ambassador motions to him and he shrugs and gets up, bowing and presenting his arm to the Princess. The Princess rises and, pausing for time to regather her shoe, is lead onto the ballroom floor by the Ambassador. Taking her up to dance he looks at the area in front of the eat and, relieved that the shoe isn't to be seen, continues dancing with her as the other guests watch.

마지막 손님이 뒤로 물러나 자 Ann은 근심스럽게 주위를 둘러 보며 다시 신발을 바로 잡으려고 노력하면서 신발을 더 멀리 밀었습니다. 대사는 그녀에게 앉으라고 손짓합니다. 그녀가 대사와 백작 부인과 함께 의자에 앉자 그녀의 드레스가 뒤로 당겨 신발이 드러납니다. 오케스트라가 왈츠를 연주하기 시작합니다. Ann은 가능한 한 눈에 띄지 않게 발로 신발을 다시 끌려고합니다. 장군은 찡그린 얼굴 뒤에 서서 백작 부인에게 신발을 보라고 손짓합니다. 그녀는 그것을 내려다보고 공포에 질려 눈을 감는다. 공주는 그녀의 신발을 되 찾으려고 좌석에서 뒤흔들고 장갑을 덮고 만지작 거리고있다. 대사 뒤에 서있는 한 남자가 그에게 손을 뻗고는 어깨를 으쓱하고 일어나서 공주에게 절을하고 팔을 내밉니다. 공주가 일어나 신발을 다시 집어 들기 위해 잠시 멈춰서 대사가 연회장으로 안내합니다. 춤을 추기 위해 그녀를 데리고 그는 식당 앞 지역을 바라보고 신발이 보이지 않는다는 것을 안도감으로 다른 손님들이 보는 동안 그녀와 계속 춤을 춥니 다.

Later on and the dance floor is filled people. Princess Ann dances with a short, lively gentleman who rattles off rapid Spanish phrases to her. She listens, nodding and smiling politely. Still later and she dances with a short, elderly gentlemen. They smile and nod to each other silently. Later again and Ann dances with a somewhat remote gentlemen. She almost speaks so as to strike up a conversation, but thinks better of it.

나중에 댄스 플로어는 사람들로 가득 차 있습니다. 앤 공주는 짧고 활기찬 신사와 춤을 춥니 다. 그녀는 경청하고 고개를 끄덕이고 정중하게 웃습니다. 나중에 그녀는 짧고 나이 많은 신사 분들과 춤을 춥니 다. 그들은 미소를 지으며 조용히 서로 고개를 끄덕인다. 나중에 다시 앤은 다소 외딴 신사들과 춤을 춥니 다. 그녀는 대화를 시작하기 위해 거의 말하지만 더 잘 생각합니다.

Later that night in Princess Ann's bedchamber. She stands on her bed dressed in her nightgown, her hair let down. She picks up the skirt of her nightgown and drops it.

그날 밤 앤 공주의 침실에서. 그녀는 잠옷을 입고 침대에 서서 머리카락을 흘렸다. 그녀는 잠옷의 치마를 집어 떨어 뜨린다.

ANN: [brushing her hair] I hate this nightgown. I hate all my nightgowns. And I hate all my underwear too.

이 잠옷은 싫어. 내 잠옷은 다 싫어. 속옷도 보기 싫구.

COUNTESS: [coming over to tend to her bed, dressed in a bedrobe and wearing glasses] My dear, you have lovely things.

ANN: But I'm not two hundred years old! [Dropping down on the bed] Why can't I sleep in pyjamas?

난 이백살이 아니잖아. 파자마 입고 자면 안돼?

COUNTESS: [looking up as she folds the sheets into place] Pyjamas!

ANN: Just the top half. [The Countess takes off her glasses, shocked, then walks over to the window. Ann pulls the covers over her, sitting up] Did you know there are people who sleep with absolutely nothing on at all?

아무것도 안입고 자는 사람이 있다는 거 알아?

COUNTESS: [opening the window] I rejoice to say that I did not.

모르는게 다행이군요.

ANN: [lying against the headboard, smiling as she hears distant music coming in through the window] Listen. [She jumps up out of bed and runs over to the window, looking out].

COUNTESS: Oh, and your slippers. [She goes to fetch them from beside the bed as Ann looks out with pleasure at the dancing going on far below in the distance] Please put on your slippers and come away at the window. [Ann walks back to the bed, dejected, as the Countess shuts the window. The Countess holds a tray] Your milk and crackers.

슬리퍼 신으세요.

슬리퍼 신으시고 창문에서 물러나세요.

우유와 크래커입니다.

ANN: [taking the tray; as the Countess helps her pull the covers over her] Everything we do is so wholesome.

너무 건강에 좋은것들 뿐이지.

COUNTESS: They'll help you to sleep.

이제 주무세요.

ANN: [stubbornly] I'm too tired to sleep-can't sleep a wink.

너무 피곤해서 못자겠어, 한숨도 못자겠다.

COUNTESS: [putting on her glasses, taking a diary from the bedtable] Now my dear, if you don't mind: tomorrow's schedule-or schedule, whichever you prefer-both are correct. [Running through the items with a pen] Eight thirty, breakfast here with the Embassy staff; nine o'clock, we leave for the Polinory Automotive Works where you'll be presented with a small car.

내일의 스케쥴입니다, 좋은 걸 고르세요. 8:30, 대사관 직원과 아침식사, 9:00, 폴리나리 자동차 공장으로 출발.

ANN: [disinterested; absently playing with a napkin] Thank you.

COUNTESS: Which you will not accept.

어떤 걸 안하시겠습니까?

COUNTESS: Ten thirty-five, inspection of food and agricultural organisation will present you with an olive tree.

10:35, 식량 및 농업기구 시찰.

COUNTESS: Which you will accept.

어떤 걸 하실겁니까?

COUNTESS: Ten fifty-five, the Newfoundling Home For Orphans. You will preside over the laying of the cornerstone; same speech as last Monday.

10:55분에 신축 고아원에서 지난 월요일과 같은 연설로 정초식을 주관하셔야 합니다.

ANN: Trade relations?

ANN: [chewing a cracker] For the orphans?

COUNTESS: No, no, the other one.

아.. 아니, 다른거요.

ANN: 'Youth and progress'.

COUNTESS: Precisely. Eleven forty-five, back here to rest. No, that's wrong... eleven forty-five, conference here with the press.

또.. 11:45분, 휴식. 아니. 기자회견이로군요, 여기서.

ANN: 'Sweetness and decency' [she rolls her eyes].

부드럽고 우아하게.

COUNTESS: one o'clock sharp, lunch with the Foreign Ministry. You will wear your white lace and carry a small bouquet of (& ANN) very small pink roses. [The Countess looks up, unimpressed. Continuing, as Ann drinks her milk from a glass] Three-o five, presentation of a plaque. (ANN: [to an imagined guest] Thank you.) Four-ten, review special guard of Police. (ANN: No, thank you.) Four forty-five (ANN: How do you do?) back here (ANN: [becoming distressed] Charmed.) to change to your uniform (ANN: So happy.) to meet the international?

1시에 외무장관과 오찬. 흰 드레스에 분홍 장미를.

3:05분, 현판 기증. (좋아요.)

4:10분에 기총병대의 사열식. (싫어요.)

4:45분에 다시와서. (뭘하나요?)

ANN: [screaming at the Countess] STOP!!! [Looking away, her hair covering her face] Please stop! stop...!

COUNTESS: [retrieving the tray] It's alright, dear, it didn't spill [she places the tray on the table].

괜찮아요, 안 쏟아졌군요.

ANN: I don't care if it's spilled or not. I don't care if I [throws her head into the pillow] drown in it!

쏟아지던지 말던지. 상관안해요!

COUNTESS: [putting her hands on her shoulders to comfort her] My dear, you're ill. I'll send for Doctor Bonnachoven.

이런, 편찮으시군요. 바노크호벤 의사를 부르지요.

ANN: [turning over, facing the opposite way] I don't want Doctor Bonnachoven; please let me die in peace!

의사는 필요없어. 제발 평화롭게 죽게 놔둬.

COUNTESS: You're not dying.

ANN: [facing the Countess] Leave me. [Sitting up, shouting at her] Leave me!

놔둬! 놔두라구.

COUNTESS: It's nerves; control yourself Ann.

신경성이에요. 좀 자제하세요.

ANN: [throwing herself on the pillow, beating it with her fist] I don't want to!

COUNTESS: [standing up straight, speaking with authority] Your Highness [Ann continues blubbing]. I'll get Doctor Bonnachoven [she heads for the door].

공주님. 바노크호벤 박사를 데려올게요.

ANN: [looking up as she leaves] It's no use; I'll be dead before he gets here [she gives a defiant blub].

소용없어, 오기도 전에 죽어버릴꺼야.

Later, the Countess enters the bedchamber, followed by Doctor Bonnachoven and the General. They walk to her bed and the doctor looks at Ann, who doesn't move.

DOCTOR: [to the Countess, puzzled] She is asleep.

COUNTESS: She was in hysterics three minutes ago, Doctor.

3분전에 히스테리가 있었어요.

DOCTOR: [he puts his Doctor's bag on the table and bends over to her; quietly] Are you asleep, ma'am?

ANN: [without moving] No!

DOCTOR: Oh. [He feels her forehead then takes a thermometer from his bag] I'll only disturb Your Royal Highness a moment, ah?

잠시 방해 좀 하겠습니다.

ANN: I'm very ashamed, Doctor Bonnachoven; I- [the Doctor places the thermometer in her mouth] suddenly I was crying.

정말 부끄러워요, 박사님. 갑자기 울고 싶었어요.

DOCTOR: [reassuring] To cry-a perfectly normal thing to do.

운다는건 지극히 정상적인 겁니다.

* reassuring-안심시키는, 기운을 돋우게[마음 든든하게] 하는 위안을 주는.

GENERAL: It most important she be calm and relaxed for the press conference, Doctor.

기자회견을 하실려면 진정하시고 쉬게 하셔야..

ANN: Don't worry, Doctor: I- [takes the thermometer out] I'll be calm and relaxed and I-I'll bow and I'll smile and- I'll improve trade relations and I, and I will... [she throws herself onto the pillow, in hysterics again].

걱정말아요. 잘 진정하고 인사하고 웃어줄테니... 무역관계를 향상시켜야...

COUNTESS: There she goes again. Give her something, Doctor, please.

또 그러시네. 뭐라도 좀 드리세요. 박사님.

DOCTOR: [holding up a syringe from the bag] Uncover her arm, please, hmm?

The Countess uncovers her arm as the General looks away.

ANN: [calming down; without looking up] What's that?

DOCTOR: Sleep and calm. This will relax you and make Your Highness feel a little happy. It's a new drug, quite harmless. [As he injects her the General faints behind them, unnoticed] There.

수면제와 진정제. 기분이 나아지실겁니다. 전혀 해가 없는 신약이죠.

ANN: I don't feel any different.

기분이 달라지지 않는데.

DOCTOR: You will; it may take a little time to take hold. Just now, lie back, ah?

그러실겁니다, 시간이 좀 걸리거든요. 자, 누우세요.

ANN: Can I keep just one light on?

좋아요, 불은 켜놔도 되죠?

DOCTOR: Of course. Best thing I know is to do exactly what you wish for a while.

물론입니다. 최선책은 잠시라도 하고 싶은 걸 하는 거니까요.

ANN: [smiling] Thank you, Doctor.

COUNTESS: [the Countess looks round at the General on the floor] Oh, the General! Doctor, quick!

장군님, 박사님, 어서요!

ANN: [sitting up] Hah! [she puts her hand over her mouth, covering her smile].

GENERAL: [embarrassed; straightening his bedrobe] I'm perfectly alright. [To the Princess] Goodnight, ma'am. [He bows and leaves].

전 괜찮습니다. 안녕히 주무세요.

DOCTOR: [bowing, smiling at the Princess] Goodnight, ma'am.

안녕히 주무세요.

ANN: Goodnight, Doctor.

안녕히 주무세요.

The Doctor leaves, followed by the Countess, who turns off the light and, looking back at the Princess, shuts the door behind her. Alone, the Princess looks around the large room at the lavish, ancient ornamentation on the ceiling and the huge sculpted headboard. She lies back, and then, remembering, eagerly climbs out of bed and runs to the window. She looks out longingly at the dancing below, the breeze blowing in her face then out over the city, the buildings lit up in the night far in the distance. Thinking, she looks back at the door and then back out the window, then she runs to her wardrobe, and starts rummaging in the clothes hung there.

Later, dressed in a plain white blouse and skirt and picking up her gloves from the dresser, she peers out the door of the bedchambers. She sees a guard sat at the end of the wall stir in his semi-sleep. Pausing as she closes the door, she goes out of the side

window onto the balcony outside. She walks along to the edge of the adjacent balcony, jumping down with a slight noise onto the ground. Glancing furtively around she goes inside to a large, empty room. She pauses for moment to look around on either side and then continues. Going through the door she finds herself on a corridor upstairs, encircling the large central area. She runs along to the end, turning the corner and then onto the other side. She continues on, reaches a staircase and goes down it towards the exit.

Outside, still in the grounds of the Embassy, she runs along a courtyard area. The shadow of a man walking appears where she has just come from but she reaches safety at the other end before he can see her. Running through the buildings further she pauses, her back against a wall. Looking round the corner she sees a man jump out of a small supply truck. While he is gone she runs over and quietly hops into the back of the truck. The man comes back and throws a couple of bags into the back where she is hiding. He then gets in, starts the motor, and drives off. Guards at the entrace of the Embassy grounds open the doors and the little truck drives out. Ann peers back over the top of a bag to see the guards closing the doors again as the Embassy recede into the distance. She looks round with delight, moving the bag out of the way, leaning her arm on some goods to see out the back better. She watches the truck go past a sidewalk cafe, busy with people, then waves to a couple driving behind on a scooter; the woman waves back at her. The goods rattle in the back as the truck bounces around, and Ann rests on a box, closing her eyes. The truck continues through the city but Ann is awakened when the truck stops for a couple walking across the street in front. As it is stopped she hops out, running to the footpath as the truck screeches away. She leans against a tree, yawning then continues on.

Crossing a street, she walks straight across the passenger cabin of a horse-drawn carriage parked alongside the pavement, to the bewilderment of the passengers and driver. The cab drives away as Ann continues on. A light pours from the window of a room on the second floor of the building the carriage was parked in front of...

Inside the room are sat Joe Bradley, Irving Radovich, and several other men around a poker table.

CARD PLAYER 1: Bet five hundred.

JOE: [placing his bet down, firmly] Five hundred. How many?

IRVING: [placing his bet] one.

The others still in the game place theirs.

CARD PLAYER 1: I'll take one.

하나 걸겠습니다.

CARD PLAYER 2: Three.

JOE: Fool, boy. [Checks his cards; bets more] Two for papa.

넷. 아버지 걸루 두개.

CARD PLAYER 1: [places a note in the pool] Five hundred more.

JOE: [following] Without lookin'.

IRVING: Five hundred; and, er [clears his throat], raise you a thousand.

500? 그럼 내가 1000을 내주지.

Joe looks at him suspiciously. Irving rubs his beard but stays unemotional. Joe places his money in the pool.

CARD PLAYER 1: [laying his cards down] Two pairs.

JOE: Oh, well I got three shy little sevens.

IRVING: Er, a nervous straight [lays his cards down; Then, with relish] Come home, you beauties. [Counting his money as he picks it up; Joe looks on grimly] Now, look at that: six thousand five hundred-ah, not bad, that's ten bucks. [As the dealer gathers the

cards back and Joe does up his tie] Er, one more round and I'm gonna throw you gents right out in the snow...

스트레이트만 되네, 와봐.

6천이나 5천이나, 십달러야.

한판 더 하지. 그래야 자네들을 눈속으로 내쫓지.

The remaining players objective to his leaving: Say-; what-; wait a minute-, etc.

IRVING: I got to get up early: date with Her Royal Highness who will [dramatically] graciously pose for some pictures.

일찍 일어나야지, 공주의 우아한 포즈를 찍어주려면.

JOE: What do you mean, early? My personal invitation says eleven forty-five.

일찍이라니? 내 초대장에는 11시 45분이던데.

CARD PLAYER 1: Couldn't be anything to do with the fact that you're ahead?

돈 따고 있는 것과 무슨 관계가 있겠나?

IRVING: [smiling] It could.

JOE: It works out fine for me: this is my last five thousand and you hyenas are not gonna get it. [Putting his money in his pocket, patting Irving on the back] Thanks a lot, Irving.

그럼 내겐 잘됐어. 마지막 5천일세. 네놈들은 못가질걸.

JOE: [getting up] See you at Annie's little party in the morning.

아침에 공주님 파티에서 만나세.

JOE: [picking up his jacket off the back of the chair] Yeah, ciao.

The other men say goodbye: Goodnight, Joe; Ciao; Stay sober, etc.

IRVING: [as Joe leaves] Alright! a little seven card stud.

7번 카드가 어떻게 된거야?

CARD PLAYER 1: Ok with me.

Joe Bradley walks along the street, hands in pockets. He slows down by a park bench. Princess Ann is lying on it and Joe glances at her curiously as he walks by.

ANN: [sounding drunk because of the drug's effect] Sooooo happy. [Joe stops, turning round to look at her. Interrupting, as Joe almost walks on] How are you this evening? [She stirs on the bench, luxuriously] Mmmmmmmmm.... hmmmmm.... mmmmmmmmmmm...

정말 행복해요.

오늘 아침 어떠세요?

JOE: [rushing over to prevent her from falling off] Hey! hey, hey, hey. [Turning her on her back] Hey, wake up!

ANN: Thank you very much, delighted.

정말 고마워요.

ANN: No, thank you. [Raising her gloved hand to him] Charmed.

아뇨, 됐어요. 멋있군요.

JOE: [tentatively, shaking her hand] Charmed too.

* tentatively-시험[실험]적으로 망설이며.

ANN: [after a pause] You may sit down.

앉아도 좋아요.

JOE: I think you better sit up; much too young to get picked up by the police.

당신이 일어나는게 좋겠소. 경찰에게 잡히기엔 너무 어려.

ANN: [as he straightens her] Police?

ANN: Two-fifteen and back here to change. Two forty-five... [she wavers slightly, not fully awake].

2:15 옷갈아 입으로 오고. 2:45...

JOE: [putting a foot up on the bench] You know: people who can't handle liquor shouldn't drink it.

이기지도 못할 술을 왜 마셔요?

ANN: [she looks up at him] If I were dead and buried and I heard your voice beneath the sod my heart of dust would still rejoice. Do you know that poem?

"죽어 묻혀서는 그대 음성을 들으면 좋겠네" 그 시 알아요?

JOE: Huh, what do you know? [Sitting down] You're well-read, well-dressed; you're snoozing away in a public street. Would you care to make a statement?

뭘? 글쎄. 잘 배우고, 잘 입고도 길거리에서 잠을 자요? 설명해 보시겠소?

ANN: What the world needs is a return to sweetness and decency in the souls of its young men and... [unable to support it, her head falls on his shoulder] mmmmmhhhhhhhhmmmmm...

세상이 필요로 하는 건 달콤함과 우아함에의 귀속...

* decency-(언행이) 예의바름, 예절에 맞음, 품위 있음.

JOE: [he takes his money from his breast pocket and puts it into his trouser one] Yeah, I er, couldn't agree with you more, but erm... [hears a car approaches and whistles. A taxi pulls up. Joe gets up, pats her on the shoulder]. Get yourself some coffee; you'll be

alright. [He goes over to the cab, looks back to see her lying back down. The driver notices too and looks away innocently when he sees Joe looking at him. Joe goes back over to Ann, trying to stir her] Look: you take the cab.

더이상 동의할 순 없지만... 가서 커피 좀 마시면 괜찮아질거요.

ANN: [without stirring] Mmmmm.

Joe looks back at the driver who rests his arm against the window, impatiently.

JOE: Come on; [takes her up by the arm] climb in the cab and go home.

차에 기어 올라가서 집에나 가요.

ANN: [as she drags herself to her feet, helped by Joe] Mmmmm... mmmmmm, so happy.

JOE: You got any money?

ANN: Never carry money.

안 갖고 다녀요.

JOE: That's a bad habit.

나쁜 습성인데.

JOE: Alright, I'll drop you off; come on. [He leads her to the taxi].

좋아, 데려다 주죠.

ANN: [brightly; noticing it for the first time] It's a taxi!

JOE: Well, it's not the superchief. [He follows her into the cab].

수퍼 지프는 아니요.

CAB DRIVER: [says something in Italian] Where are we going?

어디로 가십니까?

JOE: [to Ann] Where do you live?

ANN: Mmmmmm? [Closing her eyes] Colliseum.

JOE: Now, come on, you're not that drunk.

그렇게 취하진 않았잖아.

ANN: [laughing] If you're so smart I'm not drunk at all. I'm just being [her head falls against his chest] verrrrry haaaappy...

아주 똑똑하신데? 난 하나도 안 취했어. 행복해.

JOE: Hey, now, don't fall asleep again.

또 잠들지 말고.

CAB DRIVER: [first speaks something in Italian] Where are we- we going? [Joe says something in Italian, impatiently.] Ok. [Turns back around].

선생님, 어디로 갈까요?

JOE: [first speaks something in Italian] Look, now where do you wanna to go? Hmmm? Where shall I take you? [Holding her jaw, shaking her head; Ann moans in annoyance] Where do- where do- where do you live? Huh? huh? Come on. Come on, [lightly slapping her face with his hand] where do you live? [The driver looks back, unimpressed] Come on, where do you live?!

조금 있다 말해드리죠.

이봐요, 어디로 가고 싶은거요? 어디로? 어디 살아요? 어서! 어디 살아요? 어서! 어디 살아요?

ANN: [mumbling, half-asleep] I... ohhhhh... Colliseum.

JOE: [hopelessy; to the cab driver] She lives in the Colliseum.

콜롯세움에 산대요.

CAB DRIVER: [shakes his head] It's wrong address. Now look, senor: for me it is very late tonight... [some Italian]... wife... [more Italian] ... I have three bambinos-three bambinos, you know, bambino? [he pretends to cry like a small child] My- my taxi go

home, I- I go home er to- together. Senor?

아니겠죠, 어쨌든 밤이 깊었는데... 마누라와 애가 셋에다... 택시도 집에 가야죠. 저도요.

JOE: [giving up, sitting back] Villa Marguta, fifty-one.

CAB DRIVER: [pleased, finally] Villa Marguta, fifty-one. [Pleased] Oh, [some Italian]!

마구타 51번지. 좋아요!

The taxi drives off. The cab arrives outside the address.

CAB DRIVER: Yes, Villa Marguta fifty-one. [some Italian] I am very happy. [Joe looks grimly at Ann, asleep beside him] Thousand lira [some Italian].

다 왔습니다. 저도 기쁘군요. 1000리라입니다.

JOE: [responds in Italian]

He reaches into his breast pocket then, remembering, his trouser one and gives the driver the money].

CAB DRIVER: one, two, three, four mille. [Gives him back some].

하나, 둘, 셋, 4천입니다.

JOE: Ok. [Says something in Italian then gives him back the money.]

좋아요. 천은 당신거요.

CAB DRIVER: For me? [The driver thanks him in Italian].

제꺼요? 정말 감사합니다.

JOE: Ok, ok. Now look: take a little bit of that; take her wherever she wants to go. [The cabbie thinks for a moment, unsure] Hmmm? Capito? Capito. [Some Italian.]

좋아요, 잠깐만. 이 여자를 목적지까지 데려다주시오. 알겠소? 잘 가시오.

CAB DRIVER: [nods and they say goodbye to each other.] Good night.

안녕히 계세요.

[The driver takes one look at Ann sitting asleep and quickly calls out to Joe as he leaves].

CAB DRIVER: Oh- no, no; moment, moment, moment! No, no, no [the cabbie pulls him over by the arm] (JOE. Alright). No, no, no.

잠깐, 잠깐! 안되겠습니다.

JOE: [leaning down to the window] Alright, alright; look: as soon as she wakes up, see? she tell you where she want to go. Ok.

깨어나는대로 자기가 갈곳을 말할거요.

CAB DRIVER: Moment, moment: my taxi not for sleep; my taxi-no sleep. You understand? you understand?

잠깐만! 내 택시에선 못자요. 아시겠어요?

JOE: Look, look, pal: this is not my problem, see? I never see her before. Huh? Ok.

이봐요, 그건 내 문제가 아니오. 본적도 없는 여잔데.

CAB DRIVER: It's not your problem, it's not my problem. What you want: you don't want girl, yeah? Me don't want girl? Police: maybe she want girl.

당신 문제가 아니면 내 문제도 아니죠. 뭘 원하는 거지요? 당신이 싫으면 나도 싫어요. 경찰! 그사람들이라면...

JOE: [he relents] Stay calmo, stay calmo, ok, ok, ok. [some Italian, reassuring him as he opens the cab door and drags Ann out].

진정해요, 진정! 좋아요.

Joe walks up the steps, followed by Ann, head down barely able to keep awake. He arrives at the front door. As he stops, leaning forward to open it, Ann rests her head on his shoulder. Before going through he straightens causing her to stand up, balancing herself,

and then goes through; Ann follows. He shuts the door behind her, taking her by the hand up the steps. Without thinking she walks around the outside of the small spiral stairwell instead of following him up so Joe turns her around with his hand, leaning over

the railing from above (ANN [blissfully unaware as he leads her around] So happy.), and leads her back around to the bottom of the steps (ANN. So happy.) and up the right way.

She staggers up steps after him, stopping by a door as Joe goes to unlock his one a few steps up. In her stupor, she raises her hand and is about to knock on the neighbour's door when Joe sees her, running over to catch her hand just in time. He leads her to the door and unlocks it. He goes in and turns on the light.

JOE: [muttering as Ann follows him in] Out of my head. [He shuts the door behind her].

머리 검사를 해야겠군.

ANN: Is this the elevator?

여기가 엘리베이터에요?

JOE: [offended] It's my room. [He turns on a lamp at the other end of the room, by the bathroom door].

ANN: [she almost topples over, walking to the bed and putting a gloved hand on the endboard to steady herself] I'm terribly sorry to mention it, but the dizziness is getting worse. [Looking around] Can I sleep here?

말하긴 미안하지만 현기증이 더 나는군요.

여기서 자도 되죠?

JOE: That's the general idea. [He walks over and opens a wardrobe on the landing next to the front door].

그게 일반적인 생각이죠.

ANN: [poetically] Can I have a silk nightgown with rosebuds on it?

장미가 새겨진 실크 나이트가운 있어요?

* poetically-사실에서 벗어나서 , 이상화되어.

JOE: [walking over to Ann, presenting her with some pyjamas] I'm afraid you'll have to rough it tonight-in these.

오늘 밤은 이걸로 참아 줘야겠소.

ANN: [with delight, taking them] Pyjamas!

JOE: Sorry, honey, but I haven't worn a nightgown in years. [He goes over to open another cupboard by the lamp].

미안하오만 평생 나이트가운이라곤 못 입어봤소.

ANN: Will you help me get undressed, please? [she stands ready, head raised expectantly].

옷 벗는걸 도와주시겠어요?

* expectantly-기다리는 태도로 기대하는 태도로 기회주의적으로.

JOE: [pauses, unsure, then goes to her] Er... ok. [He undoes her necktie, sliding it away fom her neck; presenting it to her] Er, there you are; you can handle the rest. [She looks at it, blankly, then takes it].

됐소! 나머진 당신이 할수 있는거요.

Joe walks over to the table by the front door, pouring a drink into a glass from a bottle, and swallowing it.

ANN: [just putting down her last glove] May I have some?

좀 마셔도 되요?

JOE: [firmly] No. [Puts his glass down, going over to her] Now look?

ANN: [shaking her head] This is very unusual. [Unbuttoning her cuffs, then the bottom button of her blouse] I've never been alone with a man before, even with my dress on. [Pulling up her blouse out of her skirt] With my dress off it's most unusual. [With a

half-laugh] Hm, I don't seem to mind. [Smiling at him as she starts to open the remaining buttons] Do you?

정말 생소한 일이에요. 남자랑 단둘이 있어 본 적이 없거든요, 드레스를 벗은채로요. 하지만 괜찮아요. 당신은요?

JOE: I think I'll go out for a cup of coffee.

나가서 커피나 마시겠소.

JOE: [pulling out a pillow from the bed] You'd better get to sleep. [She starts to sink onto the bed (ANN. Hm?); he catches her] Oh, no, no; [pointing to the ottoman at the side, leading her over] on this one.

당신은 자는게 좋겠소.

아니, 이쪽이에요.

ANN: [still working on her buttons] How terribly nice.

정말 좋은데요.

JOE: Hey, hey: [bringing the pyjamas from the bed, presenting them to her] these are pyjamas; they're to sleep in; you're to climb into them, you understand?

파자마를 입고 자야죠, 알겠소?

ANN: [taking them] Thank you.

JOE: And you do your sleeping on the couch, see?-not on the bed, not on the chair: on the couch; is that clear?

침대말고 소파에서 자요, 의자도 안돼.

ANN: Do you know my favorite poem?

내가 제일 좋아하는 시 알아요?

JOE: Ah, you already recited that for me. [He goes to get some blankets from the bed].

벌써 읊었잖소.

ANN: [as he lays them out on the ottoman] Aritheuso* rose from a couch of snows in the Aquasaromian* Mountains. Keats.

아리아딘은 아크레이스로니안 산 눈속의 소파에서 일어났네. 키이츠.

JOE: If you just keep your mind off the poetry and on the pyjamas, everything'll be alright; see?

시는 잊어버리고 파자마나 입어요, 괜찮아질거요.

JOE: I'll be... it's Shelley. I'll be back in about ten minutes.

셀리. 10분후에 오겠소.

ANN: [to her back as he goes to the door] Keats. [She shakes her head, looking at the pyjamas slightly confused. Thinking better of it, Joe takes the bottle and places it on top of the tall cupboard on the other side of the door. He opens the door and goes through. Ann turns to face him] You have my permission to [her skirt slides down] withdraw.

물러가도 좋아요.

JOE: [stopping in the doorway] Thank you very much. [He goes out; Ann resumes her task of getting undressed].

At the Embassy. The Ambassador is sat at a table, the Countess in a chair in front and the General standing next to her. All are in their bedclothes. A man marches to the desk.

* AMBASSADOR-사절, 대표 사자(使者).

SERVANT. No trace, Your Excellency.

흔적도 없습니다.

* Excellency-각하(장관•대사•총독 등에 사용되는 존칭).

AMBASSADOR. Have you searched the grounds?

마당은 살펴봤나?

SERVANT. Every inch, Sir, from the attics to the cellar.

다락에서 지하실까지 다 봤습니다.

AMBASSADOR. I must put you on your honor not to speak of this to anyone. I must remind you that the Princess is the direct heir to the throne. This must be classified as top-crisis secret. Have I your pledge?

누구에게도 이 사실을 발설하지 마라. 공주님은 왕실의 직계 상속인임을 명심하고. 제 1급 비밀에 부치겠다. 맹세하겠나?

AMBASSADOR. Very well. [The man turns and marches out. He turns to the other two]. Now we must notify Their Majesties.

여왕 폐하께 보고해야겠군.

* Majesty-왕 <집합적> 왕[황]족 (M-) 폐하(왕•여왕•황제•황후에 대한 경칭)(*his, her, your 따위의 소유격을 앞에 붙여서 쓴다).

The General looks up at him, worried; the Countess looks up at the General, standing, and turning to the Ambassador who looks at them, waiting for an affirmation. Receiving none, he stands up himself and walks from behind the desk.

Joe arrives back at his apartment building, closes the outside door, and walks up the stairwell. He unlocks the front door and walks in.

JOE [about to say something] A? [Disappointed on seeing her

asleep in his bed] Oh...

Looking at her, he slams the door shut, hard, but she doesn't move a muscle. He goes over to the other side of the bed and moves the table out of the way, making room. Then brings the ottoman over and places it next to her. He takes off his jacket, puts it down and

loosens his tie. Then he grabs the undersheet beneath her and then, calculating, lifts it up quickly, throwing her from the bed and onto the ottoman. She stirs slightly after the disturbance, resuming her comfortable position.

ANN [muttering] So happy.

JOE. The pleasure's mine. [He puts the pillow on the other end of the bed, muttering as he goes to get undressed] Ah, screwball.

* screwball-<미국 속어> 괴짜, 기인.

The newspapers are turning out reports. A machine types out the following bulletin: "A SPECIAL EMBASSY BULLETIN REPORTS THE SUDDEN ILLNESS OF HER ROYAL HIGHNESS THE PRINCESS ANN."

'대사관 대변인 앤공주의 갑작스런 발병을 발표하다'

Daytime. A clock in the city strikes 12 noon. Waken by the clock, Joe stirs in his bed. As the clock continues to ring he rises in bed, looking out the window as the sunlight streams in. He grabs an alarm clock, looking at the time, and shaking it.

JOE. Holy smoke, the Princess interview! [Ann stirs, half-asleep, with a questioning "hmmm?"] eleven forty-five. [Ann makes annoyed noises as she buries herself back into the pillow] Oh, shut up.

공주와의 인터뷰! 11시 45분.

Joe jumps up, pulling the curtain back to see outside. He rushes to the wardrobe but stops, going through his clothes laid over the chair, retrieving a piece of paper. He puts it back as goes back to the wardrobe to get his clothes.

Outside the window of an American News Service office. Mr. Hennessy comes to the window, looking down onto the street several stories down to see Joe getting out of a taxi, hurriedly paying the driver. He then sits at his desk, looking through the morning

papers. The headline of the Rome American article, accompanied by a picture of the Princess, reads: "Princess Ann Taken Ill: Press Interview Cancelled". Another paper, in Italian, has an article, also with a picture of the Princess.

Joe arrives in the newsroom, reaching for a phone on a desk.

SECRETARY. Good morning, Joe.

안녕하세요, 죠.

JOE. Hello, honey. [He goes over to the secretary, borrowing a drink of her coffee as she holds it].

SECRETARY. Mr. Hennessy has been looking for you.

헤네시씨가 찾으셨어요.

JOE. Uh-oh. [He takes some bread from her desk, ripping off a piece and giving it to her, keeping the rest] Thanks a lot, hon. [He knocks on the door behind the secretary].

HENNESSY [from inside, angrily] Come in.

Joe braces himself, exchanging a worried glance with the secretary, and then marches confidently into the office.

JOE [taking a mouthful as he shuts the door behind him; walking to Hennessy's desk] You've been looking for me?

HENNESSY. Just coming to work?

일하러 온건가?

JOE [innocently] Who, me?

HENNESSY. We start our days at eight-thirty in this office; we pick up our assignments?

근무 시작은 8시 30분인데 업무가 할당되야...

JOE. I picked up mine last night.

제 임무는 간밤에 받았는데요.

HENNESSY. What assignment was that?

JOE. The Princess, eleven forty-five.

11시 45분, 공주님과...

HENNESSY [mouth open] You've already been to the interview?

벌써 인터뷰 해왔나?

JOE. Well, sure; I just got back. [Taking another mouthful].

그럼요, 막 돌아온겁니다.

HENNESSY. Well, well, well; all my apologies.

좋아, 사과하지.

JOE [turning to leave] 'S alright.

HENNESSY [stopping him] Er, this is very interesting.

JOE [trying to get away again] Nah, just routine.

아뇨, 일상적인 겁니다.

HENNESSY. Tell me, tell me: did she answer all the questions on the list?

질문에 다 응하던가?

JOE. Well, of course she did. [Rummaging through his pockets] I've got 'em right here, somewhere.

그럼요, 여기 어딘가에 적어왔는데.

HENNESSY. Er, don't disturb yourself; I have a copy here. [Looking at the piece of paper] How did Her Highness react to the idea of a European Federation?

그만 하고 사본 여기 있네. 공주님께서 유럽연방제에 어떤 반응을 하시던가?

JOE. She thought it was just fine.

좋은 생각이라던데요.

JOE [seeing the need to flesh it out, leaning against the desk in thought] Well, she thought that there'd be... two effects.

두가지 효과가 있을거래요.

JOE. The er, direct and the... indirect.

직접, 간접으로요.

HENNESSY. Oh, remarkable.

JOE. Naturally she thought that the indirect would not be as... direct... as the direct. That is, not right away. Later on, of course, well, nobody knows.

물론 간접효과는 그리 직접적이진 않을 거래요. 그 방법은... 물론 나중에요.

HENNESSY. Well, well, well; that was a shrewd observation! They fool you you know, these royal kids; they've got a lot more on the ball than we suspect. [Looking at the paper again] How did she feel about the future friendship of nations?

좋아, 좋아. 예리한 관찰이셨구만. 자넨 놀림을 당한게야. 더 많은 의견이 있었을텐데. 장래의 친선관계는 어떻게 생각하신다던가?

JOE. She felt that, er [nervously walking around the desk, sitting on the corner], the youth of the world must lead the way to a better... [he nervously slides a piece of Hennessy's desk equipment a few inches] world.

세상 젊은이들이 보다 나은 세상을 이끌거래요.

HENNESSY. Hmm-hmm, [sliding it back] original. Er, by the way, what was she wearing?

그런데 뭘 입으셨었나?

JOE [he pauses blankly] Oh, you mean what did she have on?

뭘 입으셨었냐구요?

HENNESSY [chuckling] Well, that's usually what it means. [Joe nervously adjusts his collar, getting up off the desk again] Er, what's the matter, is it a little warm in here for you?

그런 건 보통이지.

그런데 여기가 더운가?

JOE [walking back to the front of the desk] No, no, I just hurried over here.

급하게 와서 그래요.

HENNESSY. Oh, naturally, with a story of these dimensions. Did you say she was wearing gray?

자연스런 차림인데요, 뭘. 그런데 회색옷을 입었다고 했던가?

JOE. No, I didn't say that.

아뇨, 그런 말 안했는데요.

HENNESSY. Well, she usually wears gray.

보통 회색옷을 입으시던데.

JOE. Oh well, er, it was a...kind of a gray.

네, 회색 종류였어요.

HENNESSY. Oh, I think I know the dress you mean; it has a gold collar?

무슨 옷인지 알것 같네. 목 주위가 금색 칼라지?

JOE. That's the one, that's the one (HENNESSY [smiling, sitting back in agreement] That's it.) Yeah, I didn't know exactly how to describe it but that's it, yeah.

그거예요, 네. 정확한 묘사는 못하겠지만.

HENNESSY. I think you described it very well. [His ｅxpression changes as he sits forward, standing up dramatically]-In view of the fact that Her Highness was taken violently ill at three o'clock this morning, put to bed with a high fever, and has had all her

appointments for today cancelled in toto!

묘사는 잘했네. 오늘 아침 3시에 공주님께서 갑자기 병이 나셔서, 오늘 약속은 전부 다 취소하셨네.

* in toto-전부, 모조리, 완전히 전체적으로(totally).

JOE [helplessly] In toto?

HENNESSY. Yes, Mr. Bradley: in toto.

그래, 브래들리! 전부다!

JOE [swallows audibly] Certainly pretty hard to swallow.

삼키기가 어렵군요.

HENNESSY. In view of the fact that you just left her, of course. But here it is, Mr. Bradley [picking up a paper]: all over the front page of every newspaper in Rome! [he hands him the paper].

물론 그녀를 만나고 오셨겠지. 허나 전 신문에 다 났어.

JOE. Alright, alright; I overslept. It can happen to anybody!

좋아요, 늦잠잤어요. 그럴 수 있잖아요.

HENNESSY. If you ever get up early enough to read a morning paper you might discover little news events [pointing to the article in the paper]-little items of general interest [Joe looks at the paper and stares at the picture of the Princess-the same woman as in his

apartment but in a regal gown, necklace and tiara] that might prevent you in the future from getting immersed in such a gold-plated, triple-decked, star-spangled lies as you have just told me! [As Joe continues to stare at the picture, open-mouthed] If I was you, I would try some other line of business-like mattress testing.

조간을 볼 수 있을 만큼만 일찍 일어났으면... 그런 거짓말로 곤란을 받진 않을텐데. 나같으면 다른 일을 찾아보겠네.

JOE. Is this the Princess?

이 분이 공주님?

HENNESSY. Yes, Mr. Bradley, [pointing to the picture] that is the Princess. It isn't Annie Oakley, Dorothy Lamour, or Madame Chiang Kai-Shek. Take a good look at her [Joe closes his eyes in disbelief]: you might be interviewing her again some day!

공주님이시지. 애니도 아니고 도로시도 아닌. 잘 봐두게나, 언젠가는 인터뷰 할 분이니까.

JOE [looking at Mr. Hennessy] Am I fired?

해고 당한 건가요?

HENNESSY. No, you're not fired. When I wanna fire you you won't have to ask! [Joe looks back and forth and walks straight out of the office, carrying the paper]-you'll know you're fired! [Joe walks to the other end of the newsroom, stopping. Shaking his head, seeing that Joe has left the office] The man's mad.

아니, 때가 되면 말 안해도 알걸세.

Joe opens the other door, closing it carefully behind him and dials the wall-phone in the small foyer. Someone comes in from the front door and Joe watches him nervously until the man goes into the office.

An old man, Giovanni, sits down at the desk in his caretaker's room, picking up the phone. He greets Joe in Italian.

JOE. Giovanni, it's Joe Bradley. Now, listen carefully: I want you to hurry up to my place and see if there's somebody there... asleep.

죠 브래들리요. 잘 들어요. 당장 내 방으로 가서 누가 자고 있는지 보고와요.

GIOVANNI [amused] A-ha! Say, Mr. Joe: I look; [some Italian] you wait. [Some Italian]. [He walks to the door as Joe looks back and forth, impatiently. A few moments later Giovanni walks back to his desk, smiling. He sits down] Mr. Joe?

그러죠, 죠. 빨리 갔다 올테니 기다려요.

JOE [almost shouting] Yeah! [Repeating, quietly] Er, yeah, yeah, yeah, tell me, tell me!

GIOVANNI. Bellisimo.

아름다우신데요.

JOE [he looks up, very relieved] Giovanni: I love you. Now, listen...

지오바니, 사랑해요. 잘 들어요...

GIOVANNI. Yes, Mr. Joe. A gun? No!

알았어요. 총을? 안돼요!

JOE. Yes, a gun, a knife-anything! But nobody goes in and nobody goes out! Capito?

네, 총이요, 칼이던지. 아무도 못 들어가게 해요.

GIOVANNI. Ok. [He hangs up, getting up to obey Joe's instructions].

Joe Bradley, stealing another look at the paper, puts it in his pocket and walks back into the newsroom on his way to Mr. Hennessy's office. The secretary looks up, puzzled, and Joe gestures to her, reassuringly. He strides back into Mr. Hennessy's office.

HENNESSY. You still here?

JOE [walking over he leans on the side of his desk] How much would a real interview with this dame be worth?

진짜 인터뷰를 해오면 얼마짜리가 될까요?

HENNESSY. Are you referring to Her Highness?

공주님을 두고 하는 말인가?

JOE. I'm not referring to Annie (& HENNESSY [repeating his words, overtaking him] Oakley, Dorothy Lamour, or Madame....)-How much?

물론이에요. 얼마죠?

HENNESSY. What do you care? you've got about as much chance of getting?

그만한 기회가 있을것 같아?

JOE. I know, but if I did, how much would it be worth?

해온다면 얼마짜리에요?

HENNESSY. Oh, just a plain talk about world conditions, it might be worth two hundred and fifty. Her views on clothes of course would be worth a lot more-maybe a thousand.

세계 정세에 관한거라면 250가치는 될 걸세. 의상에 관한 견해라면 더 될거구, 1000?

JOE. I'm talking about her views on everything: [dramatically, walking over to the front of Hennessy's desk] 'The Private and Secret Longings [pointing to the layout of an imagined heading in the air] of a Princess'; her innermost thoughts as revealed to your

own correspondent in a [leaning over Mr. Hennessy's desk, closer and closer] private, personal, exclusive [in a loud whisper] interview. [Hennessy looks at him open-mouthed, in a kind of daze] Can't use it, huh? I didn't think you'd like it. [Joe walks to the door,

opening it and slamming it shut, waking Mr. Hennessy from his daze].

모든 것에 관한 견해를 말씀드리는 거라구요. 공주의 사적인 이야기, 비밀스런 소망, 독점 인터뷰에서 밝힌 것과 같은 그녀의 속마음. 못쓰겠죠? 안 좋아하신다면.

HENNESSY [shaking his head, as if waking; firmly] Come here! [Joe, satisfied, walks back over] Love angle too, I suppose?

이리 와봐. 개인적 기사?

JOE. Practically all love angle.

전부 그런 거죠.

HENNESSY. With pictures.

JOE [pausing, thinking] Could be. How much?

가능해요. 얼마죠?

HENNESSY. That particular story would be worth five grand to any news service. But, er, tell me Mr. Bradley-if you are sober-just how are you going to obtain this fantastic interview?

그런 특별한 건 5천은 될거야. 술도 안취했는데 그런 환상적인 인터뷰를 어떻게 해?

JOE [confidentially] I plan to enter her sick room disguised as a thermometer. You said five grand? I want you to [presents his hand] shake on that. [Hennessy shakes his hand].

온도계로 변장해서 병실에 들어가죠. 5천이랬죠? 찬성이면 악수해요.

HENNESSY [as Joe rushes off to the door impatiently, stopping him] Ah, you realise, of course, Her Highness is in bed today and leaves for Athens tomorrow.

오늘은 병상에 계시지만 내일은 아테네로 떠나시지.

HENNESSY. Ah, now I'd like to make a little side-bet with you: five hundred says you don't come up with the story. [Joe takes out the paper, unfolding it and taking a good look at the front page again] What are you lookin' at that for?

장담컨데 5백달러를 들여도 그 기사는 못 가져올걸.

JOE. Oh, I just wanna see what time it is.

몇시인지 알려구요.

JOE. Er, what day it is, er... [puts the paper away] It's a deal!

날씨나 알까해서... 거래입니다.

HENNESSY. Now I'd [offering his hand] you to shake. [Joe pauses then shakes. Hennessy laughs and Joe smiles with him] Now, let's see, you're into me for about five hundred; when you lose this bet you'll owe me a thousand. [Laughing] Why, you poor sucker, I'll

practically own you!

악수나 하지. 이번 내기에 자네가 지면 1000 빚지는 걸세. 불쌍하구만, 자넨 내 소유야.

JOE. You have practically owned me for a couple of years now, but that's all over. [As Hennessy continues laughing, leaning on the desk] I'm gonna win that money and with it I'm gonna buy me a one way ticket back to New York!

2년이나 소유했지만, 이제 끝났어요. 이겨서 그 돈으로 뉴욕행 티켓을 사야겠어요.

HENNESSY. Go on, go on-I'll love to hear you whine!

계속해봐. 듣기 좋은데?

JOE. And when I'm in a real newsroom I'll enjoy thinking about you, sitting here with an empty leash in your hands and nobody to twitch for you!

돌아와선 당신 모습을 즐기겠어요, 빈 채찍이나 들고 있는 종이 호랑이!

HENNESSY [stopping Joe, who stops in the doorway to face him] So long, [raises his right hand, his finger and thumb in an 'O'] Peachy. [Joe leaves.]

잘가게, 얼간이!

Outside Joe's apartment. Giovanni paces outside the door, a gun strapped to him, copying the actions of a sentry. A crowd of children sitting on the stairwell make fun of him. He goes after them, telling them off and they back away, shouting and laughing. As the children sit back down on the stairs Joe enters the open door leading outside and walks up the stairs, carefully avoiding the children, playfully batting one of them on the head with his newspaper.

GIOVANNI [as Joe arrives at the top] What's your problem?

JOE. Everything ok, Giovanni?

GIOVANNI [reassuring him, proudly] Listen here, Joe: er, nobody is come, nobody is go; absolutely nobody.

그럼요, 아무도 오지도 가지도 않았어요.

JOE. Swell! thanks a lot. [He is about to go into his apartment but stops, turning to Giovanni] Oh er, Giovanni, er... [Putting his arm round him, leading him to the side] How would you like to make some money?

고마워요! 지오바니, 돈을 어떻게 벌고 싶죠?

JOE. Yeah. [Giovanni responds in agreement in Italian]. That's the stuff. Now look, I've got a sure thing: double your money back in two days.

이틀 후에 돈을 두배로 만들어줄께요.

GIOVANNI [suspiciously] Double my money?

JOE. Yeah well, I need a little investment capital to swing the deal. Now, if you'll just lend me a little cash, I?

자본이 좀 필요한데. 조금만 꿔주시죠.

GIOVANNI [says some Italian]. You owing me tomorrow's rent (JOE. I know, I know, I know.) and you want me to lend you money? (JOE. Yeah.) [Emphatically] No, [Some Italian] no!

현금을? 두달치 집세도 밀렸는데 돈을 빌려요? 안돼요, 안돼.

* Emphatically-강조하여 (말에) 강세를 두어 철저하게 단호하게, 힘주어.

JOE [pointing his paper at him] Tomorrow, you'll be sorry!

내일이면 후회할 걸요.

Joe goes through his front door, seeing Princess Ann still asleep in his bed. He shuts the door quietly, fastening the chain across, also. Joe stands looking at her for a moment then moves round to the other side of the bed-the side she is facing lying down. He stands

above her, looking at her face then looking again at the newspaper picture to compare them. He sits down beside her and moves a lock of her out of the way to get a better view of her face. He holds the picture up beside her but her hand still partially covers her face.

He tickles her hand and she moves it restlessly. He leans closer to her:

JOE [quietly] Your Highness? [She stirs with a "Mmmm-mmmmm"]. Your Royal Highness?

공주님. 공주님.

ANN [turning to her other side, sighing] Yes... what is it?

Joe sits up in delight, the fact of her identity passing through his mind. He stands up, excitedly putting the newspaper back in his pocket, and walks around the bed. Seeing the alarm clock on the cupboard missing he picks it up from the bed and replaces it. He

replaces the pillow in its proper place, smoothing out the sheets then walks back around to Princess Ann. He carefully picks up her left arm, putting it around his neck, then slides his arms under her head and legs and carries her-blankets included-around to the other side of the bed. He is about to put her down but sees that she is holding her the wrong way. All of a sudden he hears police sirens sound outside and stops for a moment, then, still holding her, picks up the pillow with one hand and puts it at the other end of the bed, laying her down gently. She continues sleeping as he goes over to the window and looks down at the street at some police cars coming into view around a corner. Looking back anxiously at the Princess he goes back in.

ANN [stirring slightly] Dear Doctor Bonnachoven.

바노크호벤 박사.

JOE [not sure what to do] Hmm? [Playing along, not wanting to disturb her] Oh, oh, sure, yes. Well, er...er, you're fine; much better. Is there anything you want?

네, 훨씬 좋아졌군요. 뭐 필요하신거라도?

ANN. Hmm? So many things.

JOE. Yes? well tell the doctor (ANN. So many...) Tell the good doctor everything.

그래요? 제게 말씀해보시죠. 모든 것을요.

ANN [without opening her eyes, stirring in the bed, spreading her arm] Mmmmm, I dreamt and I dreamt...

JOE. Yes? Well, er, what did you dream? [Holding her wrist as a doctor might].

무슨 꿈을 꾸셨나요?

ANN. I dreamt I was asleep on the street and... young man came and he was tall and strong and... [screwing her face up] he was so mean to me.

거리에서 자고 있는데 웬 젊은이가 다가왔어요. 키가 크고 강한 남잔데... 내게 불친절 했어요.

JOE. He was? [He lets her arm down].

ANN. Mmmm. [Blissfully; putting her arm over her eyes] It was wonderful.

근데 잘생겼어요.

She opens her arms, stretching a little. Lying face-up, not quite awake yet, she looks at the ceiling, seeing the plumbing visible in the corner-quite different to the ornamentation of the Embassy bedchamber. Then she looks at Joe standing over her. She closes her eyes, smiling, then opens them again, her ｅxpression becoming severe as she stares at him.

* ornamentation-장식, 치레 <집합적> 장식품.

JOE [cheerfully] Good morning.

ANN [she starts; in a low, worried tone] Where's Doctor Bonnachoven?

바노크호벤 박사는요?

JOE [unbothered] Er, I'm afraid I don't know anybody by that name.

그런 이름은 모르겠는데.

ANN [puzzled] Wasn't I talking to him just now?

방금 이야기를 나눴어요.

ANN [suddenly frightened; feeling herself beneath the sheets] Have- have I had an accident?

사고가 있었나요?

ANN [reassured] Quite safe for me to sit up, huh?

앉게 도와주세요.

JOE. Yeah, [bending down to her] perfect [he lifts her pillow back and helps her sit up, leaning against it. She looks at him all the while, not fully trusting of him].

Joe leans against the cupboard at the foot of the bed.

ANN. Thank you [he smiles back. She looks down at her pyjamas then to Joe] Are these yours?

He nods. Ann, suddenly panicked, feels under the sheets for her pyjama bottoms.

JOE. Er, did- did you lose something?

뭘 잃어버렸나요?

ANN [smiling, relieved] No. No. [Politely, suppressing her anxiety] W-would you be so kind as tell me w-where I am?

아뇨. 여기가 어딘지 말씀해주세요.

JOE. Well, this is what is laughingly known as my apartment.

제 아파트란 곳이죠.

ANN [concerned; rising suddenly] Did you bring me here by force?

강제로 데려온 건가요?

JOE. No, no, no... [smiling] quite the contrary.

아뇨. 그반대죠.

ANN. Have I been here all night... alone?

밤새 혼자 잤었나요?

JOE [smiling] If you don't count me, yes.

저만 빼면, 그렇죠.

ANN [seriously] So I've spent the night here-with you.

그럼 당신과 밤을 보낸거예요?

JOE [hurrying to reassure her] Oh, well, now, I- I don't know if I'd use those words exactly, but er, from a certain angle, yes.

그런 말을 쓰진 않지만, 어떤 각도에서는 그래요.

Ann looks down, thinking. After a moment, reassured that everything is alright afterall, laughs.

ANN [presenting her hand] How do you do?

처음 뵙겠어요.

JOE [shaking her hand] How do you do?

JOE. Bradley, Joe Bradley.

죠 브래들리 입니다.

JOE. You don't know how delighted I am to meet you.

나도 얼마나 기쁜지 모를겁니다.

ANN [gesturing to the chair to her left] You may sit down.

앉아도 좋아요.

JOE. Well, thank you very much [he sits down on the bed instead; she pulls back her legs, looking back at him like a frightened gazelle]. What's your name?

고맙습니다. 이름이 뭐죠?

ANN [she pauses, stalling] Er... you may call me Anya.

애니아라고 부르세요.

JOE. Thank you, Anya. [Cheerfully; rising to go to the table] Would you like a cup of coffee?

고맙군요, 애니아. 커피 들겠어요?

ANN. What time is it?

JOE. Oh, about one thirty.

ANN [panicked] one thirty! [Jumping out of bed towards the door] I must get dressed and go! [remembering, she grabs the blankets to cover herself].

1시 30분? 옷을 입고 가야해요.

JOE [casually; continuing to prepare the coffee] Why? what's your hurry?-there's lots of time.

뭐가 급해서요? 시간은 많은데.

ANN. Oh no, there isn't and I've- I've been quite enough trouble to you as it is.

그렇지 않아요, 그동안 폐만 끼쳤군요.

JOE. Trouble? [Smiling] You're not what I'd call trouble.

폐? 폐랄 것까진 없어요.

ANN [pleased] I'm not?

JOE [going to the bathroom door] I'll run a bath for you. [As he goes in to turn on the taps on the bath, Ann picks up her clothes from the floor near the bathroom door, holding them to her chest. After laying a towel out on the floor next to the bath he comes back out, gesturing with his arm to her to go in] There you are.

목욕물을 받아 놓을께요.

Ann walks to the bathroom, keeping him in front of herself, turning round to go through the door, then quickly turning around so as to be able to see him as she shuts the door behind her.

As soon as the door shuts, Joe goes over to the door and in trying to open it gently, forgets the chain and causes a noise. He undoes the chain and goes out and down the steps.

Joe goes into a workshop full of people working on sculptures. He asks one of the men, in Italian, if he can use the phone. Joe thanks him then dials. As he waits for the phone to be answered Joe takes out the paper to look at the picture again.

The phone rings in Irving Radovich's studio. He is lying on his back holding a camera, next to a tub filled with water which produces a ripple effect on the ceiling. on his leg is attached a piece of string which runs up to a fishing rod, held by a model who sits on the upper level of the studio, her legs sticking out through the balcony.

IRVING [aiming his camera] Here we go now. [He takes the picture] There you are; that does it. [Pulling himself off his back] Oh. [To the model, trying to put his leg down to untie the string as she playfully pulls at the rod] Gimme a little slack, will ya? [He answers the phone] Pronto?

JOE [impatiently] Irving! why won't you answer the phone? [Calmer] Look, this is Joe. Irving: can you get over here in about five minutes?

어빙! 왜 그렇게 안받는거야? 죠야, 5분내로 와 줄래?

IRVING [sitting back; the model dangles the line around his head] Oh no, I can't come now, Joe; I'm busy. Oh no... [playfully biting at the end of the line] Joe: I'm up to my ears in work. [To the model; covering the mouthpiece of the phone] Go on, get into your next

outfit, will you, Honey?-the canoe. What kind of a scoop, Joe?

지금은 안돼, 바빠. 일이 산더미처럼 쌓였어.

가서 다음 의상을 입어요.

어떤 특종감인데?

JOE. Look, Irving, I can't talk over the telephone; one word in the wrong quarter and this whole thing might blow sky-high. It's front page stuff, that's all I can tell you. It might be political ro it might be a sensational scandal-I'm not sure which, but it's a

big story and it's got to have pictures!

전화론 말할 수 없어. 진짜 특종감이란것 밖엔. 정치기사가 될수도 있고, 굉장한 스캔들이 될수도 있지.

IRVING. But I can't come now, Joe; I'm busy. [Looking up where the model is, in a lower tone to the phone] I'm busy now and I'm meeting Francesca at Rocca's in a half an hour and?

지금은 안돼, 사진을 찍어야 돼. 바빠, 30분후에 프란체스카도 만나야 하구.

A charwoman enters Joe's apartment, carrying a bucket and mop. She puts them down inside and closes the door, muttering a disdainful "Ah!" at the sight of the bed in a mess. She walks to the window and opens the curtains. Hearing the sound of water coming from the

bathroom she rushes over and opens the door, revealing Ann just getting out of the bath, covered in a towel. She emits a scream of surprise at the intrusion, pulling the towel up, as the charwoman stands in the doorway, hands on hips. Ann tries to excuse herself in

Italian, shutting the door, but the charwoman will have none of it and orders her outside, waving her finger at Ann and strongly reprimanding her in Italian.

* charwoman-(빌딩의 청소원 등) 일용(日傭) 잡역부 <영국> 일용 가정부, 파출부.

ANN. No capito-don't understand.

CHARWOMAN. Don't understand? [Ann runs back to the bathroom and the charwoman mutters more Italian after her].

Joe runs up the stairwell and goes into his apartment. Looking around, he doesn't see Ann-only his empty apartment tidied and the bed made. He realises the balcony door is open and goes out into the sun, finding Princess Ann looking out over the city.

JOE. There you are! [She turns to meet him].

ANN. I was looking at all the people out here. [Smiling, looking around the buildings] It must be fun to live in a place like this.

사람들을 쳐다보고 있었어요. 이런데서 사는건 재미있을 거예요.

JOE. Yeah, it has its moments. I can give you a running commentary on each apartment.

그런건 잠깐뿐이죠. 아파트 소개를 할께요.

ANN [she turns to him, seriously] I must go.

ANN. I only waited to say goodbye.

작별인사를 하려고 기다렸어요.

JOE. Goodbye?-But we've only just met. How about some breakfast?

작별? 이제 막 만났는데요? 아침식사 어때요?

ANN. I'm sorry, I haven't time.

미안해요, 시간이 없어요.

JOE. Must be a pretty important date to run off without eating.

식사도 안하고 갈만큼 중요한 약속인가보군요.

JOE [walking her back to the apartment] Well, I'll go along with you, wherever you are going.

제가 모셔다 드릴께요.

ANN. That's alright, thank you; I can find the place. [They walk back inside] Thank you for letting me sleep in your bed.

괜찮아요, 혼자 찾아갈께요. 재워줘서 고마워요.

JOE. Oh, that's alright; think nothing of it.

괜찮아요, 아무것도 아닌데.

ANN. It was very considerate of you... [motioning to the ottoman] you must have been awfully uncomfortable on that couch.

이해심이 많으시군요. 소파에서 불편하셨을거예요.

JOE. No, no-do it all the time. [She smiles as he turns to open the door].

아뇨! 늘 그러는데요.

ANN [as she goes out she turns to shake his hand] Goodbye, Mr. Bradley.

안녕히 계세요.

JOE [shaking her hand] Goodbye. [Seeing her unsure about which way to go he points to the way out] Oh: go right through there and down all the steps.

안녕히 가세요.

저길 지나 계단을 내려가세요.

She walks down the stairs and he goes back inside and shuts the door, walking out to the balcony again. Ann goes through the outside door, watched from above by Joe as she walks away. He runs back inside and out his front door.

Part-way down the outside steps, Ann stops and turns to run back up. Joe, running to follow her almost runs into her.

JOE [laughing as they stop on the steps] Well, small world.

세상이 좁기도 하군요.

ANN. Yes- I- I almost forgot: can you lend me some money?

네, 잊을뻔 했는데 돈 좀 빌려주세요.

JOE [as Giovanni appears in the window of the building overlooking the steps, opposite them] Oh, yeah; that's right, you didn't have any last night did you?

맞아요. 한푼도 없다고 했죠?

JOE [as he reaches for his money he sees Giovanni watching] How much... [looking back up at Giovanni, uncomfortably] how much was it that you wanted?

얼마면 되겠어요?

ANN. Well, I don't know how much I need. How much have you got?

얼마가 필요한지 모르겠어요.

JOE. Well, er [looks quickly up at Giovanni], suppose we just split this fifty-fifty: here's a thousand lira.

이걸 반씩 나누죠. 1000리라니까.

ANN. A thousand?! Can you really spare all that?

1000? 정말 그만큼이나 여유가 있어요?

JOE. It's about a dollar and a half.

1.5달러 쯤 되는거죠.

ANN. Oh... Well, I- I'll arrange for it to be sent back to you. What is your address?

돌아가서 갚아드릴께요. 주소가 어떻게 되죠?

JOE. Er, Villa Marguta, fifty-one.

ANN. Villa Marguta, fifty-one. [Smiling] Joe Bradley. Goodbye; thank you. [She walks down the steps].

마구타 51번지. 죠 브래들리. 안녕, 고마웠어요.

Joe watches her from the top of the steps, exchanging glances with Giovanni. As Ann reaches the bottom he heads down after her, watched by Giovanni.

GIOVANNI. Ah, double my money, eh? You tell me you want double my money (JOE [waving his hand up at him, reassuring him] Tomorrow, tomorrow, tomorrow.) that way? [Repeating to himself, after Joe has walked past] Eh, tomorrow.

어떻게 두배로 만들건데? 자네가 말했잖나.

그래, 내일 보자.

Ann walks out onto the busy city street, dodging a motorbike as she arrives from a side-street. She looks out fascinated at all the activity, momentarily intimidated, but then venturing out confidently as she enjoys the bustle of the city around her.

Joe peers down the street after her, running between the people in order to keep within sight. He follows her into a market as Ann wanders along, taking her time, just enjoying herself. She walks past several vendors offering her their goods.

As Ann stops to look at a stall Joe has to back off, and is instantly targetted by the nearest vendor who offers him some of his huge melons. He shakes his head at him, more interested in keeping an eye on Ann who tries on a pair of shoes at the stall, then pays

the woman vendor for them. Joe's vendor persists and Joe finally buys the melon off him, which at once quietens him down. So, carrying the melon, he follows Ann down to another street where she stops, looking out at the Fontana di Trevi: a magnificent facade

ornamented with statues, fronted by a pool.

Ann continues down the street that runs beside the fountain, stopping outside a salon to look at the drawings of hairstyles in the window which surround a mirror. She appears disappointed at the way she looks in the mirror and, after smiling at the hair of someone who walks past, decides to go inside.

Joe walks up the the shop, smiling when he sees where she has gone.

Inside the hair salon Ann sits on one of the seats in front of the large mirror, holding up her long hair as the hairdresser (Mario Delani) fastens the cover around her.

MARIO DELANI [speaking rather hesitant English] What a wonderful er, hair you have. [He asks her something in Italian].

아름다운 머리결을 지니셨군요. 핑거 웨이브로.

ANN. Just cut, thank you.

그냥 커트만 해줘요.

MARIO DELANI. Just cut? [Takes the scissors from his hair] Well then, cut, er, so? [he holds the hair at a certain length].

커트만? 그럼 어떻게?

MARIO DELANI. Higher? [He holds the hair further up] Here?

MARIO DELANI [impatiently] Where?

ANN [she holds her hair at the shoulders] There.

MARIO DELANI. There. [Snapping his scissors nervously] Are you sure, Miss?

여기까지... 정말이세요?

ANN [emphatically] I'm quite sure, thank you.

MARIO DELANI [he turns he round in the chair, taking her hair in his hand] All off?

Joe peers in them through the beaded curtain, still holding his melon. (MARIO DELANI [uncomfortable as he starts cutting off her long hair] Off.) Joe goes outside, looking round, then walks away down the street.

Ann sits in the salon still, her hair covering her face.

MARIO DELANI [pulling apart her hair to see her] Are you sure?

ANN [impatiently] Yes.

MARIO DELANI [dropping her hair back over her face] Yes. [As he cuts her locks off, working his way round] Off! off; off... [wipes his forehead with his arm].

자릅니다. 잘라요. 잘라요. 잘랐어요.

Joe finds a public phone down the street opposite the fountain. Joe waits impatiently, studying his melon, as another person speaks on the phone, in Italian. Then, seeing a group of children playing on the statue, goes over to one of them, passing his melon to a boy.

Back in the salon, the hairdresser cuts of the last lock of her hair.

MARIO DELANI. Off! [He stands to the side of her as they both study the end result as Ann moves her head slightly from side to side. She looks down at something but, engrossed in her, the hairdresser jerks her head back to the centre to get a better view].

Outside, Joe sees a group of American schoolgirls, playing and talking around the fountain. He approaches one who carries a camera.

JOE [gently coaxing her to get a look at the camera] That's a nice little camera you have there. Ah, it's nice. Mmmm. Er, you don't mind if I just borrow it, do you? [He tries to coax it off her but the strap is around her neck].

좋은 카메라 같은데? 잠깐 빌려주겠니?

SCHOOLGIRL 1 [calling out; putting her hand up] Miss Weber!

JOE. I'll give it back... just for a couple of minutes.

SCHOOLGIRL 2 [trying to resist him] No. Go, it's my camera.

Their teacher comes over, looking over Joe darkly. He lets go of the camera as the teacher leads the student away, then holds his head in his hand, embarrassed.

In the salon someone sweeps the hair up off the floor. Mario Delani is combing her hair, touching up the ends.

MARIO DELANI. You musician, maybe? You artist, aha? Painter...? I know: you model! [She smiles, flattered] Model, hah?

음악인이신가요? 아님 예술가? 화가? 모델이시군요.

MARIO DELANI [says some Italian] Finito. It's perfect.

다 됐습니다. 완벽해요.

MARIO DELANI [as the hairdresser turns her round from side to side, looking in the mirror] Y-y-you be nice without long hair. Now, it's cool, hmm? Cool?

멋있어, 시원하시죠?

ANN [turning her head to the side, playing with the ends] Yes, it's, it's just what I wanted.

네, 원했던거에요.

MARIO DELANI. Grazzi. [As she looks in the mirror] Now, why you not come dancing tonight with me? You should see, it's so nice: it's on a boat on the Tib?ine, Tiber-the river by Saint Angelo... [dramatically] moonlight, music, romantico! It's very, very... [his English vocab runs out] very. Please, you come?

고맙습니다. 오늘밤 춤추러 가시겠습니까? 배 위에서인데 정말 멋지죠. 달빛과 음악, 낭만적이잖아요? 가주시겠습니까?

ANN. I wish I could.

저도 갈수 있으면 좋겠어요.

MARIO DELANI [disappointed] Oh. [As Ann gets up, taking out her money] But, but, your friend: I think they not recognise you.

친구분들이 몰라보실거예요.

ANN. No, I don't think they will! [She gives him the money].

네, 저도 그렇게 생각해요.

MARIO DELANI. Oh, thank you very much.

MARIO DELANI [as she leaves he rushes out the door after her] Ah, er, senorina. [Standing in the doorway as she turns to him] After nine o'clock, I'll be there. Dancing on river-remember: Saint Angelo. If you come, you will me most pretty of all girl!

아가씨. 9시 이후엔 거기 있을겁니다. 상트 안젤로, 기억하세요. 오신다면 최고미인이 되실거에요.

ANN [she smiles, surprised and flattered] Thank you. Goodbye.

고마워요. 안녕.

MARIO DELANI [as she leaves] Goodbye.

Joe, watching from across the square, sees her leave and follows her. She passes by a shop window, stopping to look, and seeing her reflection checks her new hair. Joe follows her down the street towards the Spanish Steps. He keeps a safe distance as she waits for

a gap in the traffic, dashing across. She walks up to an icecream vendor nearby, presenting him with some money.

ANN. Er, [unsure of the word] Gelato?

ICECREAM SELLER [nodding] Gelato. [He bends down to scoop up her icecream, all of this watched by Joe from the opposite side of the street].

ANN [taking her icecream] Thank you. [She pays him the money].

ICECREAM SELLER [calling after her] Senorina. [Hands her her change, speaking some Italian].

아가씨, 잔돈이요.

She walks away, licking her icecream. A flower seller catches her attention as she walks past.

FLOWER MAN [speaks some Italilan, presenting her with some flowers] It is [some Italian] beautiful lady. [Speaks in Italian, eagerly trying to make the sell, handing her the flowers. She shakes his hand in thanks but he waves his hand, speaking more Italian]... five thousand lira!

예쁜 꽃이 있습니다. 카네이션이죠. 금방 온겁니다. 싱싱해요. 얼마나 예쁩니까? 1000리라죠.

ANN [trying to hand them back] No money.

FLOWER MAN. No? [Some Italian]

ANN. No. [He replies further, in Italian]. I'm sorry, I've really no money.

미안해요, 정말 없어요.

FLOWER MAN. [Some Italian], if you no, eh? [Some Italian].

너무 많아요? 700. 더는 깎을수 없어요.

ANN. Look [she reaches for her money, showing it to him. Reluctantly, he takes the flowers back] I'm sorry.

Feeling sorry for her, the flower man pulls a flower out and gives it to her. She offers him her money but he waves his hand, telling her in Italian that she can keep it.

ANN [thanking him] Grazzi, grazzi. [She walks away].

As Joe watches her from across the street she sits down on one of the ornamentations which divide the width of the steps, licking her icecream. Joe runs up the opposite side, out of view, and then walks across the width of the steps, behind her. He walks down the steps

towards her, and walking past her, looks round pretending that he has just noticed her.

JOE. Weeell, it's you!

ANN [looking up at him, smiling] Yes, Mr. Bradley!

JOE [looking at her hair] Or is it?

ANN. Do you like it?

JOE [Sitting down beside her] Yeah... very much. So that was your mysterious appointment?

아주 좋군요. 그게 비밀스런 약속이었군요.

ANN. Mr. Bradley: I have a confession to make.

브래들리씨, 고백할게 있어요.

ANN. Yes, I... ran away last night, from school.

네, 간밤에 학교를 도망쳤거든요.

JOE. Oh, what was the matter: trouble with the teacher?

무슨 일이었죠? 선생님과의 문제?

ANN. No, nothing like that.

JOE. Well, you don't just run away from school for nothing.

이유가 있을텐데.

ANN. Well, it were only meant to be for an hour or two. They gave me something last night to make me sleep.

한두시간만 한다는 것이 수면제를 먹어서.

JOE [he smiles, realising] Oh, I see.

ANN [looking down at the street she finishes her icecream, rubbing her hands clean] Now I'd better get a taxi and go back.

이제 택시타고 가야겠어요.

JOE. Well, look: before you do, why don't you take a little time for yourself?

그러기 전에 몇시간만 내주시죠.

ANN [shaking her head, unsure] It may be another hour.

한시간쯤 밖엔.

JOE [enthusiastically] Live dangerously: take the whole day!

하루 온종일이면 어때요?

ANN. I could do some of the things I've always wanted to.

원하던걸 할수 있었으면 해요.

ANN. Oh, you can't imagine... I'd, I'd like to do just whatever I'd like, the whole day long! [She laughs].

상상못하실거예요. 온 종일 좋아하는 것만 하고 싶어요.

JOE. You mean, things like having your hair cut? Eating gelato?

머리를 깎는다던가, 젤라또를 먹는다던가?

ANN. Yes, and I'd, [looking down to the street] I'd like to sit at a sidewalk cafe; and look in shop windows; walk in the rain! [Joe looks at the blue sky doubtfully] Have fun, and maybe some excitement. It doesn't seem much to you, does it?

네, 노상 까페에 앉고 쇼핑을 하고 빗속을 걷고. 재밌고 아주 흥미로울 거예요. 당신에겐 안 그런가봐요?

JOE. It's great. Tell you what: why don't we do all those things-together.

멋져요! 그래요, 함께 해보는게 어때요?

ANN. But don't you have to work?

하지만 일을 하셔야잖아요.

JOE. Work? [Standing up] No! Today's gonna be a holiday.

오늘은 휴일일거예요.

ANN [playfully] But you'll want to do a lot of silly things.

하지만 그런 일을 하고 싶진 않으시잖아요.

JOE [taking her hand] Don't I? First wish: one sidewalk cafe, coming right up-I know just the place: [he gently pulls her up, setting off down the steps] Rocca's.

내가요? 노상까페로 가죠, 그런 곳을 아니까.

Joe and Ann sit at a table at Rocca's, watching the traffic go past. Joe sits watching as she eats a bread roll.

JOE. What'll the people at school say when they see your new haircut?

커트한 머리를 보고 학교에서 뭐랄까요?

ANN [laughing] They'll have a fit. What would they say if they knew I'd spent the night in your room?

발작을 일으킬거에요. 당신방에서 잤다는 걸 알면 뭐랄까요?

JOE [he looks around self-consciously, leaning closer, playfully] Well, er, I'll tell you what: you don't tell your folks and I won't tell mine.

누구에게도 말하지 말아요, 나도 안하죠.

ANN [smiling] It's a pact.

JOE. Now, what would you like to drink?

ANN [casually] Champagne, please.

JOE [pausing, slightly taken aback at her extravagance; to the waiter walking past] Er, commerierie*, er...

WAITER [bending down, inbetween Joe and Ann] [Italian], senor?

JOE. Champagne. [He says something in Italian]. Well, er, champagne [Italian] for the senorina and er, cold coffee for me.

샴페인. 숙녀에겐 샴페인, 난 냉커피.

[The waiter acknowledges in Italian, bows then leaves].

JOE. Must be quite a life you have in that school-champagne for lunch.

그 학교는 굉장한 곳이군요, 점심에 샴페인이니.

ANN. only on special occasions.

특별한 경우에요.

ANN. The last was my father's anniversary.

전번에 아버지 기념일이었죠.

ANN. No, it was... [hesitating] the fortieth anniversary of, umm... the day he got his job.

아뇨, 직업을 가진지 40주년 기념일이었죠.

JOE. Forty years on the job; what do you know about that... [Probing her further] What does he do?

한 직업에 40년이라! 뭔지 알고 있어요?

* Probing-속을 캐보는, 철저한.

ANN [thinking, cautiously] Well... mostly you might call it... public relations.

대부분 흥보라고들 하죠.

JOE. Oh, well, that's hard work.

어려운 직업인데.

ANN. Yes, I wouldn't care for it.

난 못했을거예요.

ANN. I've... heard him complain about it.

불평하시는 걸 들은 적이 있죠.

JOE. Why doesn't he quit?

왜 그만두시지 않나요?

ANN. Well, people in that line of work almost never do quit-unless it's actually unhealthy for them to continue.

그 직업의 사람들은 건강만 하면 안 그만둬요.

JOE [as the waiter delivers the drinks] Uh-huh. Well, here's to his health then.

그분의 건강을 위하여.

ANN [the waiter places a straw by her wine glass] You know: that's what everybody says.

모두들 그런 말을 하죠.

JOE [after they drink] It's alright?

ANN [sitting back in her chair, relaxing, playing with the straw] Yes, thank you. What is your work?

네, 당신 직업은요?

JOE [now he stammers nervously] Oh, I'm er, in the selling game.

세일즈 맨이에요.

ANN. Really? how interesting.

ANN. What do you sell?

JOE [he looks blank for a moment then, on hearing a horse in the street passing by, looks up at it; turning to her] Er, fertilizer; er, chemicals, you know? Chemicals-stuff like that. [Ann is somewhat unconvinced then, putting the straw in her mouth, blows the wrapper

off. Joe looks up as it flies over the table. He smiles at Ann who laughs, very pleased with herself, holding the wrapper in her mouth. Joe looks up, brightly; standing up, shaking his hand as irving comes over]. Irving! Well, am I glad to see you.

비료, 화학약품, 아시죠?

어빙! 만나서 반갑네.

IRVING [jokingly] Why, did you forget your wallet?

지갑은 왜 잊었나?

JOE [without laughing] Er, pull up a chair, Irving; sit down with us here.

의자를 끌고와 앉게나.

IRVING. Aren't you gonna introduce me?

소개시켜주지 않을거야?

JOE. Er, yes, this is a very good friend of mine, Irving Radovich; [she presents her hand; they shake] Anya: Irving.

제 친구 어빙 라도비치이고, 이쪽은 애니아.

IRVING [still holding her hand] Anya...?

IRVING [playfully; pulling up a chair from the next table to use] Oh, hiya Smithy.

ANN [politely] Charmed [she looks at Joe a little nervously as he puts the chair down next to her; Irving nods to Joe, impressed at her manner].

IRVING [sitting down] Hey, er, anybody tell you you're a dead ringer for... [Joe kicks him in the shin under the table. In pain] Oh! [Confidentially, Joe points a finger at Ann. Confused, Irving stands up] Well er, I guess I'll be going.

누굴 닮았다고들 안해요?

가봐야 될 것 같네요.

JOE. Oh, don't do a thing like that, Irving. Sit down; [pacifying him] join us, join us, join us.

그런 건 생각말구, 함께 있지 그래?

* pacify-[화가 난 사람 등]을 달래다, 진정시키다, 가라앉히다. [나라 등]을 화평하게 하다, …에 평화를 회복시키다.

IRVING [not sure] Well er, just till Fransesca gets here.

그럼 프란체스카가 올 때까지 있지.

ANN. Tell me, Mr. er, er, Radovich: er, what is a ringer?

라도비치씨! 닮다니요?

JOE. (IRVING [to the waiter] Oh, er, waiter.) It's an (IRVING. Whiskey, please.) American term and er, (IRVING. Yeah.) and it means, er, anybody who has a great deal of charm. [Irving's look turns to puzzlement, responding with a questioning Hmm?].

미국 용어인데 아주 매력적인 사람을 말하죠.

ANN. Oh. [Politely; interjecting before Irving can ask Joe what he's talking about] Thank you.

* interject-[말 따위]를 불쑥 끼워 넣다 (말)참견을 하다.불쑥 말참견하다.

IRVING. You're welcome.

Irving is about to probe Joe again when two women walk past-one puts a hand on his shoulder and the other runs her hand through his hair as they walk past. They greet him with a "Ciao".

IRVING [smiling back at them] Er, ciao.

IRVING [to Ann] Cousins.

ANN. Mr. Bradley's just been telling me all about his work.

브래들리씨가 업무 얘길 해주시는 중이었어요.

IRVING. Mmm, I'd like to have heard that.

나도 그런 얘길 듣고 싶었죠.

ANN. What do you do?

뭐하시는 분이세요?

IRVING. I'm the same rank as [Joe starts coughing, holding his glass closer to Irving] Joe only I'm a photo... [Joe spills his glass over Irving. He stands up angry as Ann tries to dry him with a napkin].

죠와 같은 부서에 있죠.

JOE. I'm awfully sorry, Irving!

정말 미안하네.

IRVING [barely keeping his manners] W-w-wha-? What are you?

JOE. I'm sorry, Irving.

미안하네, 어빙.

IRVING [to Joe] Look, I can take a hint! [Bowing, smiling, presenting his hand to Ann] I'll see you around.

힌트를 줘야지.

또 뵙겠습니다.

ANN. Oh, but your drink's just here; please sit down.

마실게 왔는데요.

JOE. Yes, here's your drink right now, Irving; take it easy [Irving looks at Joe, unsure about trusting him]. I'm sorry about that. Sit down, that's a good fellow [the waiter puts down Irving's drink and leaves] (Something*).

어빙, 진정하게. 미안하네, 앉게나. 그런게 친구잖나?

IRVING [sitting down] You're t... [sitting down; stopping to wipe the chair dry] You're twisting my arm, you know.

팔을 비틀었었잖아.

JOE [trying to communicate to Irving what can't say aloud] Just- just be a little more careful not to spill...

흘리지 않으려면 좀 더 조심해야지.

IRVING. Spill?! Who's been doin' the spilling?

JOE [with a half-laugh] Yeah.

IRVING [to Ann] Where did you find this looney? [Smiling at her, remembering his manners, holding his glass up to toast] You're ok; here's to you, huh? Here's hopin' for the best. [Pausing, looking between Ann and Joe] If it, if it wasn't for that hair, I- I- I'd

swear that... [Joe kicks his chair back and Irving falls to the ground. Ann screams in shock. Two men help him up, muttering words in Italian].

이런 미치광이를 어디서 알았죠? 괜찮아요? 당신을 위하여! 궁금한게 있는데요. 그 머리만 아니라면, 맹세컨데...

IRVING [as they pull him up] Thanks.

JOE [as him and Ann rush over to help] You slipped, Irving. Slipped?-you almost hurt yourself that time!

미끄러졌네, 다칠뻔 했잖아.

IRVING [losing control] I slipped?! (JOE. Yes.), I almost hurt myself?! Joe, I didn't slip!

미끄러져? 다칠뻔 했다구? 죠, 난 안 미끄러졌어.

JOE [leading him away from Ann, pretending to examine his neck] ...got a bad sprain there.

IRVING [pushing his arms of him] Never mind I got a bad sprain, Joe.

발목 삔 건 상관말구.

JOE [motioning to the cafe building] You'd better go in here and get it fixed up.

IRVING [going with him willingly] Well, yeah, I'd like to?

JOE [back to Ann; walking to the door, his arm around Irving's shoulder as if he needs help] Will you excuse us for a minute?

잠깐 실례해도 되죠?

ANN [standing helpless] Yes, of course; I- I'm so sorry.

물론이에요, 정말 미안해요.

Joe leads him to the back of the cafe, holding him around the shoulders, as Irving continues to argue.

IRVING. Now wait, now wait; just a minute; let? look, Joe, what are you tryin' to do? now take your hands off?

잠깐! 이제 그만 좀 밀게.

JOE [reaching the back, in some privacy] Have you got your letter?

IRVING. What's that got to do with it?

JOE. Have you got it?

IRVING. Yeah! but what are you tryin' to do to me?

날더러 뭘 하라구?

JOE [firmly, as Irving tries to pull his arm away] Listen: what would you do for five grand?

5천짜리 기회가 있다면 뭘 할래?

IRVING [he ceases struggling] Five grand?

JOE. Yeah. [Pulling him down into a seat, reaching for a chair for himself, sitting down. Speaking in low tones] Now, she doesn't know who I am or what I do. Look, Irving, this is my story; I dug it up, I gotta protect it!

그녀는 내가 누군지도 몰라. 특종감이야, 내가 발굴했지.

IRVING. She's really the?

JOE [looking around anxiously] Ssssh! [Quietly] Your tin-types are gonna make this little epic twice as valuable.

자네 사진기가 두배나 더 가치있게 만들거야.

IRVING [musing] 'The Princess Goes Slumming'.

'빈민가의 공주'

JOE. You're in for twenty-five percent of the take.

자네가 25% 갖게.

IRVING. And it takes five G?

JOE. Minimum-Henessey shook hands on it.

최저가지, 헤네시가 동의했네.

IRVING [counting in his head] ...seven, five; that's- that's fifteen hundred dollars!

5천의 25%면 1500이군.

JOE [sternly] It's twelve-fifty.

* sternly-엄격하게, 준엄하게.

IRVING. Ok, now you shake.

좋아, 악수하지.

JOE [shaking his hand as they stand up] Ok, now, lend me thirty thousand.

그럼 3만 빌려주게.

IRVING. Thirty th? That's fifty bucks; you gonna buy the crown jewels?

그건 오십달러잖아. 보석 왕관을 사려는거야?

JOE. She's out there now drinking champagne that I can't pay for. We got to entertain her, don't we?

샴페인 값이 없잖아.

IRVING. Joe: we can't go running around town with a... hot princess!

공주를 데리고 시내를 돌아다닐순 없어.

JOE. Ssh, you want in on this deal or don't you?

거래를 원하지 않나?

IRVING [his gives him the money] This I want back Saturday.

토요일에 돌려주게.

JOE. Ok, now where's your lighter? [Irving pulls it out] Let's go to work.

좋아, 라이터는 어딨나?

이제 일하러 가지.

Irving and Joe file out of the cafe and back out to the table where Ann sits drinking her champagne, observing the waiter who clears the table.

ANN [hearing them come back out, exchanging smiles with Joe] Better now?

이제 나았어요?

ANN [to Irving] Your ear.

IRVING [as Joe sits; holding his ear] My ear? Oh, yeah, er, Joe fixed it. [He sits; offering her a cigarette from a packet] Er, would you care for a cigarette?

귀? 죠가 고쳐줬어요. 담배 태우겠어요?

ANN. Yes, please. [She takes one; smiling to Joe] You won't believe this but it's my very first.

네. 못믿겠지만 처음 피우는 거라구요.

JOE [knowingly to Irving] Your very first?

IRVING [nodding to Joe] Oh.

JOE. No, er, smoking in school, hmm?

학교에서는 금연인가요?

IRVING. Your first cigarette... [he flicks a switch on the lighter, turning a tiny wheel on the top. After a pause he switches the lighter on]. There; gizmo works [he lights Ann's cigarette and she puffs].

간단한 작품이군.

JOE. Well, what's the verdict, er... ok?

어때요? 괜찮아요?

* verdict-<법률> (배심원의) 평결, 답신(答申).

ANN [she takes the cigarette out; smiling] Nothing to it.

아무렇지도 않은데요.

IRVING [laughing] That's right: nothing to it.

맞아요. 아무렇지도 않죠.

JOE [to the waiter at the next table] Er, commerierie, [he says something in Italian to the waiter, taking out some money].

웨이터, 계산서.

IRVING [moving his chair round slightly to be more in front of Ann] Stretch my legs a little, here.

다리를 좀 뻗을께요.

ANN [to Irving] Hm. [She takes another puff of the cigarette].

JOE [as Irving takes a cigarette himself] I'll pick this one up, Irving.

IRVING. Yeah, you can afford it [he holds the lighter in position again, waiting].

JOE [as he pays the waiter] Well, what shall we do next? Shall we, er, make out a little schedule?

다음엔 뭘 할까요? 스케줄 좀 잡아볼까요?

ANN [turning to Joe] Oh, not that word, please.

그런 말은 마세요.

JOE [he thanks the waiter in Italian; to Ann, quickly] Oh, I didn't work sche- school schedule-I meant, er, fun schedule.

수업 스케줄이 아니라 놀이 스케줄 말이에요.

ANN [laughs] Yes, let's just go, huh?

JOE. How about you, Irving: are you ready?

자넨 어떤가? 준비됐지?

IRVING [as Ann puts the cigarette back in her mouth Irving flicks something on the lighter again] Er, yeah.

JOE [he and Irving rise] Let's go [Ann puts out the cigarette in the tray and rises also].

As Irving pulls Ann's chair out for her a woman comes up behind him and greets him in Italian.

IRVING [he takes out his cigarette to greet her] Francesca. Oh, er, this is...

프란체스카! 여긴...

JOE. She's a grand girl, Irving [shakes Francesca's hand], grand-Er, five grand, Irving. [He takes Ann by the hand, leading her away] Ciao.

1000불짜리네, 어빙, 5천이라구.

IRVING [calling to him as he leaves] Joe!

FRANCESCA. But where are you going now?

어디가는 거예요?

IRVING. Honey, I got to work. I'll call you at night [he kisses her, and runs across the road to catch up to Joe and Ann].

일하러 가야해. 오늘밤 전화할께.

The airport. A large four-engined plane with a Royal crest on its side taxis in. It is observed nervously by the General and the Ambassador who watch, sitting down, from an observation room. A stair opens out at the rear of the plane and some men start leaving

the plane, one after the other, greeted at the bottom as they walk by by some officials. Suddenly, the Ambassador jumps to his feet, then the General stands up. They look out at the runway, frowning, at a long line of a dozen or more of the men filing away from the

plane, dressed in black suits and hats.

AMBASSADOR. Look at those men! They were supposed to be inconspicuous.

저 사람들 보게! 눈에 띄지 말아야지.

GENERAL. You asked for plain clothes. [The Ambassador glances at him with raised eyebrows].

평상복을 입으라고 하시죠.

In the city, Joe drives along the streets on a little Vespa scooter; Princess Ann riding side-saddle on the back, her arms wrapped around his waist. She looks out smiling at the sights as they drive to the Colliseum, looming up before them.

They walk inside the Colliseum, accompanied by a guide who points to the structure, instructing Ann. Joe follows just behind them, being joined now by Irving. They walk to the edge, looking down over the centre of the structure. Ann listens to guide, watched on by Joe and Irving who lights up a cigarette. Holding the lighter, Irving signals secretly to Joe who acknowledges him with a private signal of his own.

Back on the streets of Rome and Joe and Ann ride along on the scooter, followed by Irving in a small open-topped car. Irving overtakes them and, as Joe points out the sights to Ann, he takes pictures out of the back of the vehicle, barely regaining control of

the vehicle afterwards.

Joe and Ann drive to a large intersection, where the traffic is directed by a warden who blows his whistle at them. Nearby, Irving pulls up, his eye on Joe and Ann. Joe and Ann get off the scooter as Joe goes to talk to the warden. Irving gets out of his car, peering

round a streeet corner at them, a camera in hand.

Seeing Joe busy, Ann gets back onto the scooter herself, curious to test out the feel of the handlebars. Irving snaps a picture of her as she gingerly tests the controls. Suddenly, Ann lets out a shriek of fright as the scooter takes off. Joe turns round and,

excusing himself from the warden, goes after her. Irving looks on, helpless.

Ann drives the scooter erratically along the side of the road, scaring some pedestrians who are crossing the road who leap back onto the pavement. Joe, running after her, calls out to her to stop.

Irving runs back to the car. Ann, in sheer delight, keeps driving as Joe, laughing, jumps on the back of the scooter. The scooter suddenly goes at speed down the street, turning a corner, scaring more pedestrians out of the way.

JOE [putting his hands on the handlebars] Let me take this; let me take over.

내가 잡아 줄께요.

ANN [pushing his hands out of the way, putting hers on top] No, no, no; I- I can do it.

The scooter drives head-on into the traffic, going slower now, and delicately missing a car and bicycle. A tram honks at them as they drive across its path and it swerves to avoid them. Irving follows them with difficulty through the traffic, his visibility impaired as he passes through a stream of water coming from a hydrant.

Ann mounts the pavement, driving between some people at a stall through a painting one of them is showing to the others. They drive through a sidewalk cafe, weaving between the tables as the diners get up, outraged at the disturbance. Ann continues on, knocking over

a builder's workbench where a large man is setting up his equipment.

Children run in to help him pick the materials up, blocking Irving's car in the process. Ann drives chaotically around a roundabout, scaring a woman who screams and jumps out of the way, dropping her groceries.

Police whistles ring out as the Polizia get into their cars, joining two motorbikes which give chase to Ann and Joe's scooter.

Ann and Joe tear away down the street, followed the motorbikes, their sirens wailing.

Sometime later and Ann, Joe, and Irving stand in a room before a judge sitting at a table. In front of the judge are arranged the various victims of Ann and Joe's escapade, giving their testimonies and presenting their damaged goods as evidence. Ann and Joe answer the various questions of the judge then Joe presents him with his I.D., holding his head awkwardly back for the judge since that way it better matches the photo. The judge looks at the front of the I.D.: it says American News Service. Joe tells the judge something, putting his arm around Ann to perhaps better convince him. Irving intervenes, telling the judge something or other, although the judge looks unimpressed with what he has to say. Joe points out something to the judge on what he is looking at on his desk to which the judge reacts favorably. Irving, Ann and Joe-hand-in-hand, leave; Joe telling them something or other, saying goodbye to the witnesses and they smile back.

The three leave the police station laughing, stopping quickly on seeing the guard posted outside.

Joe takes a step forward, moving his hand onto the lip of the mouth. Ann, unblinking, leans foward from the tension. Joe slides his fingers into the mouth and then his hand up to the wrist.

Suddenly he gives out a loud cry, pulling back, as if the mouth has hold of his hand and won't let go. Ann screams and rushes to his side, pulling at him from behind. Joe takes out his hand, apprently severed at the wrist and Ann screams in fright, putting her hands

over her face. Smiling, he lets his hand spring open, out of his sleeve.

ANN [laughing, as Joe takes her in his arms as she throws herself toward him, playfully beating her fists at him] You beast! it was perfectly alright! You've never hurt your hand!

정말 나빠요! 아무것도 아니었잖아요.

JOE [letting her go] I'm sorry, it was just a joke! Alright?

미안, 장난이었어요.

ANN [laughing still] You've never hurt your hand.

손을 다친줄 알았어요.

JOE [calming her] I'm sorry, I'm sorry. Ok?

미안해요, 됐죠?

ANN [regaining her composure] Yes.

JOE. Alright, let's go. [They turn to leave and he cries out, jumping away from the Mouth] Look out!

Ann screams, running out of the building. Joe follows her, laughing, followed by Irving.

Later on, Irving pulls up on a quiet street.

IRVING [to Joe as he stands up to climb out of the car] I'll park at the corner.

코너에 주차할께.

Joe opens Ann's door and she climbs out. Joe is about to climb out of the open-roofed car but seeing Ann holding the door for him bends down under the rim of the door, barely squeezing through. Ann smiles at him as he struggles out. As Irving drives away, Joe follows Ann as she walks across the wide footpath, stopping before the huge wall covered top to bottom with small plaques. A little further up the footpath there is a woman kneeling down at a small prayer bench who stands up, crossing herself before leaving.

ANN. What do they mean, all these inscriptions?

이 비문들은 뭘 뜻하나요?

JOE [walking with her alongside the wall] Well, each one represents a wish fulfilled. All started during the war when there was an air raid-right out here. A man with his four children was caught in the street. They ran over against the wall, [pointing behind them] right there, for shelter; prayed for safety. Bombs fell very close, but no one was hurt. Later on, the man came back and he put up the first of these tablets. Since then it's become sort of a shrine: people come, and whenever their wishes are granted [stopping, turning round to look back] they put up another one of these little plaques.

소망이 이루어졌음을 나타내죠. 바로 여기서 공습이 있었던 전쟁 중에 시작됐죠. 네 아이의 아버지가 거리에서 잡히자 아이들은 저 벽으로 달려가 피신처와 안전을 구했대요. 폭탄이 떨어져도 안다쳤어요. 그후 그분이 첫비문을 새겼죠. 그때부터 성지가 되어 모두들 소망을 써넣게 되었죠.

ANN [looking back along the wall] Lovely story.

아름다운 이야기군요.

JOE [taking her arm, directing her over to the wall] Read some of the inscriptions. [Irving stands beside the wall, holding his camera, "lighting" another cigarette. She walks over and looks at some of the plaques for a moment]. Make a wish [looking down, she

nods]. Tell the doctor?

몇개 읽어보죠.

소망이 있어요? 의사에게 말했던?

ANN [turning around] Anyway, the chances of it being granted are very slight.

어쨌든 주어진 기회가 너무 작아요.

IRVING [walking to them] Well, what now?

지금은 어때요?

ANN [hopefully] I've heard of a wonderful place for dancing on a boat.

배위에서 춤춘다는 얘길 들었는데요.

JOE. Oh, you mean the barges down by Saint Angelo.

상트 안젤로의 유람선 말인가요?

ANN [excitedly] Yes! couldn't we go over tonight?

그래요, 오늘밤에 갈 수 있나요?

IRVING. Hey, why not?

JOE. Anything you wish.

원하시는 건 다 됩니다.

ANN. And at midnight I'll turn into a pumpkin and drive away in my glass slipper.

그럼 자정에 유리구두를 던지겠어요.

JOE. And that'll be the end of the fairytale. [To Irving] Well, I guess, er, Irving has to go now.

동화의 끝장면이로군.

어빙은 이제 가야될걸요.

JOE. Yes, you know, that big business development of yours that you have to attend to.

현상 사업에 참관해야잖나.

IRVING. Ah... [he remembers] oh, the development.

JOE. Yes, can't afford not to take care of that.

그런거 신경쓸 여유가 없을텐데.

IRVING. Yeah. Er, I'll, er, [shaking her hand] see ya later, Smithy.

이따 봬요, 스미티.

ANN. Good luck for the big development.

행운이 있기를.

IRVING [waving as he leaves] Yeah, thanks.

Ann smiles after Irving as he leaves. They hear the sound of horses' hooves on the road approaching and turn round to look. Joe looks back at her, asking, then she nods, smiling. Joe whistles at the driver and they walk over to the carriage as it stops, getting on.

Evening, it is dark. Music greets Joe and Ann as they walk down the steps on the way to the barges. He pays the ticketseller as Ann stands, watching the dancing across the river.

JOE [to the ticketseller] Grazzi. [He walks over to Ann, smiling to her and they continue].

They walk onto the dance floor and start dancing.

Two men in black suits and hats-Secret Service men-watch out over the people. one of them turns to watch the dance floor and notices Joe and Ann, watching them as they dance. The Secret Service man stands on his feet and the other looks over at what he is watching.

As the music stops for the next song, the man speaks some Italian to the other who leaves, and continues watching as the next dance starts. The other man runs back towards the steps, away from the dancers.

Joe and Ann continue dancing-closer now as it is a slower song.

She rests her head on his shoulder, her eyes closed and smiling. She looks up at him.

JOE [as they look at each other] Hello.

Joe smiles as she rests her head against his chest and they continue.

The band finishes the dance and the audience claps, the dancers on the floor dispersing. Joe and Ann walk over to the side of the floor.

ANN [looking up to him as she sits down] Mr. Bradley: if you don't mind my saying so, I think you are a ringer.

브래들리씨. 당신... "닮았어요"

JOE [confused] Oh? wha... [Understanding, smiling; sitting down] Oh. Thanks very much.

뭐요? 네, 고맙군요.

ANN. You spent the whole day doing things I've always wanted to. Why?

온종일 제가 하고 싶었던 것만 해주셨는데. 왜죠?

JOE [guiltily] I don't know. Seemed the thing to do.

해야할 것 같았죠.

ANN. I never heard of anybody so kind.

매우 친절하시군요.

JOE [he looks down, hiding his guilt] Wasn't any trouble.

문제가 되나요?

ANN. Also completely unselfish.

아니면 너무 이타적인 건지.

JOE [Joe looks over to the other side of the barge, motioning to Ann] Let's have a drink at the bar. [Joe takes her hand and they walk over].

바에서 술이나 마시죠.

MARIO DELANI [turns to Ann, smiling] Oh! Finalmentez: there you are! [Remembering his manners to the woman apparently accompanying him] Er, scusatmitanto. [Turning immediately back to Ann] I look for you long time-I think maybe you not come [he pauses, noticing Joe

standing just behind her, watching. He motions to her hair]. Ah, off; all off!

드디어 오셨군요. 한참 찾아봤어요. 안 오시는 줄 알았어요.

잘라요, 전부 잘라요.

ANN. Oh, it's nice without, isn't it? Cool.

잘라도 보기 좋죠? 시원해요.

MARIO DELANI. Oh, very, very good.

ANN [introducing him] Mr. Bradley.

여긴 브래들리씨.

MARIO DELANI. I, Mario Delani.

마리오 드 라니입니다.

ANN. Oh, yes; he cut my hair this afternoon. He invited me here, tonight.

오후에 머리를 잘라주었죠. 오늘밤 초대해 준 거예요.

JOE [to Mario] Wha- what did you say the name was?

이름이 뭐랬죠?

MARIO DELANI [shaking Joe's hand] Delani, Mario Delani.

마리오 드 라니.

JOE. Mario Delani, I'm very glad to know you.

마리오 드 라니, 알게 되어 기쁘군요.

MARIO DELANI [the band starts playing again] Me too. [To Ann, using his hands, unsure of his English] Oh, may I enjoy myself, er, the pleasure? [To Joe] Do you mind?

저도요. 좀 즐겨도 되겠죠?

JOE. No, no; go right ahead.

그럼요, 가세요.

MARIO DELANI. Thank you.

Ann takes his hand and they go out on the floor to dance. Joe, watches them dancing for a moment then takes out a notebook, quickly writing something down. Irving arrives at the bottom of the steps, saying something in Italian and holding up his camera as he walks

past. He walks towards the barges. The Secret Service man watches Ann as she dances with Mario.

IRVING [to Joe, at the bar] Ciao, Joe. Did I miss anything?

죠, 놓친 건 없지?

JOE [quietly] You're just in time, pal.

IRVING. Who's Smithy dancing with?

같이 춤추는 사람은 누구지?

JOE. Barber-cut her hair this afternoon, made a date for tonight.

이발사! 오후에 머리를 깎아 줬대, 데이트 약속도 하구.

IRVING [musing as he watches them] 'The Princess and the Barber'. [Mario and Ann continue dancing, having a great time.]

공주와 이발사?

Irving walks around the other side of the bar, his camera placed on the table, Joe hiding it from the view of the floor. The barman protests but Irving reassures him, keeping his eyes on Ann. Irving watches, waiting, and then, with a signal, Joe jumps away and the

bulb flashes as Irving takes the picture. In an instant Joe jumps back, nonchalantly looking up at the sky while Irving takes his glass, doing the same.

Ann looks out across the floor and then, seeing Joe and Irving, waves. Irving lifts his glass in acknowledgement. on the bridge, up above the dancing, several cars pull up. Several men climb out, rushing over to the steps. The first Secret Service man, smoking a cigarette, watches the men approach. The men walk over to the tables.

Ann continues dancing with Mario who suddenly stops, looking at her hair.

MARIO DELANI. Moment.

He stops, thinking, and then, taking out a comb, brushes her fringe apart which he delicately curls around with his comb into two neat tufts. He puts his comb away, satisfied. Ann moves to touch her hair but Mario quickly motions her to leave it

alone and they continue dancing. one of the Secret Service men stands leaning against a structure, swinging his hand to the beat, smiling. The man watching behind rebukes him with a word and his ｅxpression turns serious as he pulls his hat down, putting his hands in his pockets, looking out again over the dancing.

The music stops and everyone applauds the musicians.

MARIO DELANI. Thank you. [The first Secret Service man comes over to Ann then Mario, seeing him, says something to Ann in Italian, then "Bye", and leaves her to him].

Ann smiles slightly but nervously to the man and they start to dance. They turn several times, then the man speaks in her ear.

SECRET SERVICE MAN. Your Highness. [She looks at up him sharply, and tries to pull away but he holds her] You'll dance quietly towards the entrance. There is a car waiting.

공주님. 입구쪽으로 조용히 가시죠. 차가 대기중입니다.

ANN [desperately; trying to pull away] No.

SECRET SERVICE MAN. Your Highness, please.

공주님, 어서요.

ANN [as he forces her over to the side] You- you've made a mistake. [Tells him in Italian, pretending, that she doesn't speak English] Let me go. [Loudly] Will you let me go! [Shouting] Mr. Bradley! [Joe looks up and starts toward her, looking for her in the

dancers] Let me go, will you? Mr. Bradley!

실수하셨어요. 난 영어 못해요, 놔줘요. 브래들리씨! 브래들리씨!

Irving looks around from his drink and, seeing the problem, rushes after Joe. Two of the Secret Service men drag Ann away from the barges but Joe catches them and pushes them away, pushing one of them down, and taking Ann by the arm. Joe punches one man who tries

to pull Ann the other way but the other one manages to push Irving over the railing of the gangway and almost into the water. Joe and Ann run to the other side of the floor, where the dancers have dispersed and are watching the action.

Joe sees more Secret Service coming from the other side so he runs back the other way. Cornered, he confronts them head-on as they close, Ann standing to the side as he throws one over the side. Ann has the presence of mind to throw him a life belt to him and the

crowd cheers. Irving meanwhile struggles with one of the men, having his beard pulled, but responds to this with an angry punch to the face. Mario runs over his hair with his comb, muttering some Italian to the people near him before rushing in to the fray to help Joe.

The conductor of the band motions to the musicians to start playing and they respond with an energetic tune. The scene of chaos continues, Joe and Irving and Mario laying into the Secret Service men. Distracted, two of the men manage to grab Ann and drag her away. Joe runs after, Irving following with his camera.

Joe pushes one of the men to the ground and the other responds with a punch, freeing Ann. Ann looks around her for a way to help, picking up a bottles and throws it weakly at Joe's man. Joe keeps fighting with the man as Ann picks up a guitar lying near the band and stands behind him, on a chair. one of the men starts towards her and there is drum roll as she lifts the guitar over her head, then swings it down, hitting him full on the head, stunning him for a moment.

IRVING [excitedly, trying to get his camera ready, having missed the shot the first time] Hit him again, Smithy!

다시 한번! 스미티!

The drummer rolls again as Ann swings the guitar back, then releasing it and smashing it over the man's head-the camera flashing as she does so.

Police sirens sound and the Polizia arrive, packed into their cars. As they spill out, Joe, Ann, and Irving start to leave the scene, leaving the Secret Service men staggering or lying about the dance floor, dazed.

IRVING. Joe, give me my car keys.

차 열쇠 여기있네.

JOE [to Irving; he stops, pointing at the police] Police, police.

IRVING [seeing them arrive in numbers they change their direction] The other side of the bridge.

다리 반대쪽에 있네.

As Joe and Ann run across the barges, Irving tries stalling the men who try to follow with a life belt but they make it past him, running to follow Ann. Joe and Ann run through a boathouse and on reaching the other end walk along the outside edge, just above the

Unseen, a Secret Service man covers the outside of the boathouse as they double back. Joe peers round the corner and the man surprises him with a punch to the face, knocking him into the water.

Ann knees him in the groin and pushes him away. She holds her nose and dives in after Joe, just escaping the reach of the man as he tries to stop her. The Polizia arrest the remaining Secret Service men and take them away, one of them being dragged by a guitar around his neck, his head clean through the guitar. The band starts up again and people replace the fallen furniture as the crowd waves across the water, apparently after Joe and Ann as they swim away.

Joe and Ann stagger out of the water, completely wet through. Joe leads her to a rock where they sit down, Joe rubbing her around the shoulders as she shivers.

ANN. Fine. How are you?

괜찮아요. 당신은?

JOE. Oh, fine! [They laugh out loud for several moments. He looks at her] Say, you know, you were great back there.

좋아요. 굉장한 방어를 하던데요.

ANN. You weren't so bad yourself... [she stops suddenly, looking into his eyes. He leans forward and kisses her-a long, steady kiss. They look at each other for a moment].

당신도 나쁘진 않았어요.

JOE [after a pause] Well... I... I guess we'd better get Irving's car, and get out of here.

어빙의 차를 타고 빠져나가는게 좋겠어요.

They stand up and hurry on their way.

Joe enters his apartment, takes off his jacket and closes the door. Inside, the radio is on, playing soft piano music. An announcer comes on: "This is the American Hour from Rome, continuing our musical selections".

'아메리카 아워입니다. 계속해서 음악을 보내드리죠.'

In the bathroom, Ann gets herself ready, dressed in a bedrobe.

Looking in the mirror, she smooths her hair over.

She goes outside, standing beside the closed door. Joe, preparing a drink, greets her with a smile.

JOE [with a laugh] Everything ruined?

전부 엉망이 됐죠?

ANN. No. They'll be dry in a minute.

아뇨, 금방 마를텐데요.

JOE. Suits you-you should always wear my clothes.

잘 맞는군요, 매일 내 옷을 입어야겠네요.

ANN. Seems I do [Joe laughs].

저도 그런것 같아요.

JOE [giving a her a glass of wine] I thought a little wine might be good.

와인을 마시면 좋아질 것 같은데요.

ANN. Shall I cook something?

뭣 좀 만들까요?

JOE. No kitchen; nothing to cook; I always eat out.

부엌이 없어요. 늘 사먹으니까요.

ANN. Do you like that?

그런게 좋아요?

JOE. Well, life isn't always what one likes... [pauses] is it?

인생이란 늘 좋은 것만 되는게 아니잖아요? 안그래요?

ANN. No, it isn't [Ann sits down].

JOE. You've had quite a day.

꼬박 하루를 보냈군요.

ANN. A wonderful day [she smiles as the radio announcer comes on].

멋진 날이었어요.

RADIO ANNOUNCER. This is the American Hour, from Rome, broadcasting a special news bulletin in English and Italian. Tonight there is no further word [Ann stands up, walking to the radio; Joe stands still, his back to her] from the bedside of Princess Ann in

Rome, where she was taken ill yesterday, on the last leg of her European goodwill tour. This has given rise to rumours that her condition may be serious, which is causing alarm and anxiety among the people in her country. [The radio starts to repeat the bulletin

in Italian so Ann switches it off].

영어와 이태리어로 방송해 드리는 아메리카 아워입니다. 오늘밤도 앤 공주의 침실에서는 아무 말도 없군요. 유럽 방문 마지막 날인 어제 병이 나셨었죠. 심각한 상태라는 소문이 돌고 있습니다만...

ANN. The news can wait till tomorrow.

내일까지는 소식이 있겠죠?

ANN [she walks to him] May I have a little more wine? [He pours her some more] Sorry I couldn't cook us some dinner.

와인 좀 마실까요? 요리를 할 수 없다니 유감이군요.

JOE [as Ann drinks from the glass] Did you learn how in school?

학교에서 배웠나요?

ANN. Mmmm, I'm a good cook; I could earn my living at it. I can sew too, and clean a house, and iron-I learned to do all those things, I just haven't had the chance [slowing, turning away] to do it for anyone.

전 훌륭한 요리사예요. 바느질, 청소, 다리미질도 할 수 있죠. 전부 다 배웠는데 할 기회가 없었어요.

JOE. Well, looks like I'll have to move; and get myself a place with a kitchen.

가봐야할 것 같네요. 부엌에 좀 갈께요.

ANN [she turns around to look at him, heart-broken] Yes [they look at each other for a moment then Ann looks down and drinks the rest of her wine. Ann chokes back her sorrow] I... will have to go now. [She stands for a moment, Joe looking at her, then runs into his

arms, crying on his shoulder].

지금 가야할까봐요.

JOE [comforting her] Anya... there's... something that I want to tell you.

애니아! 하고 싶은 말이 있는데.

ANN. No, please [she looks at him and kisses him] nothing. [They hold each other for a moment then Ann looks down] I must go and get dressed.

그만 하세요. 아무말 말아요. 가서 옷을 입어야겠어요.

Ann walks to the bathroom. Joe stands with his back to her, heart-broken. He walks over to pick up his jacket and puts it on.

Solemnly, without speaking, Joe drives Ann through Rome.

ANN [looking straight ahead] Stop at the next corner, please.

다음 코너에서 세워주세요.

JOE. 'K. [He slows down, stopping at a corner and leans forward to see the Embassy gate visible down the street] Here?

ANN [looking out her window] Yes. [Looking down, without looking at him] I have to leave you now. I'm going to that corner [she looks out], there, and turn. You must stay in the car and drive away. Promise not to watch me go beyond the corner. Just drive away and

leave me, as I leave you.

이제 떠나야겠군요. 저 코너로 돌아가면 당신은 차를 타고 가세요. 코너에서 날 보지 마세요. 그냥 차를 몰고 떠나세요, 제가 떠나는데로.

JOE [solemnly] Alright.

ANN [keeping back the tears] I don't know how to say goodbye. I can't think of any words.

어떻게 작별인사를 하죠? 아무말도 생각이 안나요.

애쓰지 말아요.

They look at each other and she throws her self into his arms, holding her tight. They kiss, passionately, then hold each other for a few more moments and Ann cries against his shoulder. They release, enough for her to turn around to look back down the street, then she looks at back him. They manage a smile at each other and then Ann looks down, unable to stay the inevitable. Turning away from him, she opens the door and gets out. Without looking back she starts off down the street, her walk turning into a run. Joe watches her as she disappears round the corner. Joe looks out at the empty street toward the gate and looking as if he might go after her but, after a pause he looks away, glumly, then switches on the engine and drives off.